Akhalteke Apykarã Pytu'urã Amin Mohammadyari omba'apóva

Akhalteke Apykarã Pytu'urã Amin Mohammadyari omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Brónse pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

BrónseMba'epyru· 2025

Akhalteke Apykarã Pytu'urã

Amin Mohammadyari -gua

A' Design Award Brónse Rembiporuarã Mba'epyru Categoría-pe

12,685

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #170027 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Akhalteke Apykarã Pytu'urã Rehegua

Akhalteke ome'ẽ peteĩ jeguapyha tojeguereko'ỹva, ombojeroviáva ñane ñandu kavaju ári jeike ñepyrũ rehegua. Ojejapyhývo proyectista mitãrõguare iñembosarái kavaju ári ha kavaju rete rehegua hesa'ỹijoreko, ko apopyre omoĩ peteĩ mokõi tape rehegua oñondivegua poruhára ha hembiasakue apytépe. Oñembogua hi'ári gua (montura) rehe, yvypóra apykakue ymaveguarégui peteĩva, Akhalteke ombojehe'a apykarã pytu'urã py'aguapy ha kavaju ári jeike apytu'ũ. Téra ou Akhalteke, Turkmenistán kavaju ñemoñareguágui, ohechaukáva ko apopyre apopyrã ha iñembojeporeko mýiva.

Jeguerohory

A' Design Award Brónse Rehegua

Akhalteke Apykarã Pytu'urã ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Akhalteke Apykarã Pytu'urã ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Akhalteke Apykarã Pytu'urã ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: In the design of Akhal-Teke, my goal was to create a unique sitting experience, one that evokes the feeling we all had the first time we rode a horse. Akhal-Teke establishes a two-way interaction with the user and their experience, offering a distinctive way of sitting that the user willingly embraces.
This eagerness to experience and accept is inspired by the Form of Akhal-Teke.
Tuichakue ha Ñemyenyhẽ: Width 770mm x Depth 855mm x Height 720mm.
Ñe'ẽ Rape: Conceptual, Lounge Chair, Lounge, Chair, Horse, Saddle
Ñeapopy Tecnología: For the construction of Akhal-Teke, bio-composites made from hemp or flax fibers and PLA bio-resin were considered. This combination enabled the creation of a high-quality final form with desirable finishes while offering a sustainable alternative to traditional composites like fiberglass and carbon fiber.

At the same time, these materials not only promote environmental responsibility but also reinforce a natural connection to their inspiration.
Diseño Jepy'apy: The primary challenge in the design process was to create a two-way experience in the act of sitting, such that the object (seat) and the subject (user) engage in a dialectical interaction with one another, transforming sitting from a passive state into an active one and allowing for a fresh understanding of the sitting experience.

The next significant challenge was to achieve a form that simultaneously incorporates both aesthetics and functionality. The design was not intended to directly reference the anatomy of a horse. Rather, the goal was to establish a subtle connection to the experience of sitting, enabling users to intuitively connect with it without relying on direct or obvious visual cues.
Ñesẽheka: The horse, one of the first domesticated animals by humans, has a deep-rooted history with mankind. Our ancestors spent a significant amount of time riding, and thus, the way of sitting on a horse became one of the most common sitting postures. In the design of Akhal-Teke, the aim is to revive this sitting posture and bring it into everyday human life; a way of sitting that is likely embedded in our historical memory and DNA.
On the other hand, in considering materials for Akhal-Teke, thorough research was conducted to ensure that sustainable and environmentally friendly options were taken into account. In this regard, the material identity chosen for Akhal-Teke is aligned with the core identity of its design.
Inspiración: The design is inspired by my childhood experiences of horseback riding and my fascination with equine anatomy.

As a design student, I was drawn to the idea that saddles represent some of humanity's earliest forms of seating, dating back to the domestication of horses.

Through this design, I sought to capture the feel of both a lounge chair and the riding experience, creating a form that evokes those dual inspirations.

The name Akhal-Teke is derived from a breed of Turkmen horses.
Proyecto Ára Tuichakue: the project started in September 2023 in Tehran and finished in September 2024.
Mba'apo Rape: The Akhal-Teke is inspired by the elegance of the anatomy of the Akhal-Teke breed of Turkmen horses, striving to go beyond its purely functional concept and becoming an object with identity in space, much like a noble horse.

As a chair, Akhal-Teke offers a unique sitting experience, evoking the feeling of riding a horse for the first time. Its form creates a two-way interaction with the user, encouraging a distinctive way of sitting that is eagerly embraced.

This eagerness stems from the form of the Akhal-Teke.