Floral Album Ao Ñemoha'ãngakuéra Aty Xinyu Zheng omba'apóva

Floral Album Ao Ñemoha'ãngakuéra Aty Xinyu Zheng omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Fiero pegua Ao Jejapo Ñeha'ã Categoría-pe.

FieroAo· 2026

Floral Album Ao Ñemoha'ãngakuéra Aty

Xinyu Zheng -gua

Mba'eporuhára: Tulip 'n room

A' Design Award Fiero Rembiporuarã Ao Categoría-pe

11,611

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #177958 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Floral Album Ao Ñemoha'ãngakuéra Aty Rehegua

Floral Album ha'e peteĩ ao ñemoha'ãnga aty ojejapóva umi tavakuaa família ra'anga 1980 ary rupigua rehe. Ko aty ojejapo poyvi opytáva'ekue oñeporukuaa'ỹvagui (deadstock) oñembojoajúva heta tembiapo pojehegua ndive. Bordado pópe, crochet, mba'yru'i ñemoĩ (beading), tejido ha punto cruz oñemboja terciopelo ha poyvi hesakãva ojo'apyre ári. Umi crochet rembe'y ha tejido vore oguereko lentejuéla omimbíva pe oiporúva omýi jave. Peteĩteĩ ao ojejapo ha'eño, upévare ndaipóri mba'evéichagua ojehapykuehóva. Opa vore ha'e tuichakue oimeraẽvape g̃uarã (free size). Ko aty ombojoaju tembiapo pópe kuaapy hesakãva umi mba'e ojehecha'ỹva jeipuru jey ndive.

Jeguerohory

A' Design Award Fiero Rehegua

Floral Album Ao Ñemoha'ãngakuéra Aty ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Floral Album Ao Ñemoha'ãngakuéra Aty ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Floral Album Ao Ñemoha'ãngakuéra Aty oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This collection reinterprets craftsmanship through the integration of deadstock fabrics and multiple handcraft techniques. Each garment is individually constructed using hand embroidery, crochet, beading, and hand knitting, resulting in unique pieces with no repetition. By layering reclaimed materials with detailed surface work, the collection highlights the value of overlooked resources and connects tactile craftsmanship with contemporary design sensibility.
Tuichakue ha Ñemyenyhẽ: All the pieces are free size.
Ñe'ẽ Rape: tulip n room, sustainable fashion, hand embroidery, deadstock fabrics, recycled materials, haute couture
Ñeapopy Tecnología: Each piece is developed using deadstock fabrics combined with multiple handcraft techniques. Velvet, crochet, beading, embroidery, knitting, and cross stitch are applied through experimental craftsmanship. The production process integrates hand beaded garments, crocheted trims with sequin elements, knitted pieces using sequin yarns, and layered transparent textiles. The approach balances couture level precision with sustainable material practices.
Diseño Jepy'apy: The main challenge lay in balancing nostalgic aesthetics with sustainable production limits. Many desired fabrics were no longer available, requiring extensive trials with deadstock and recycled materials. Achieving hand-embroidered precision on uneven surfaces demanded technical adaptation. The process also involved redefining femininity through craft while ensuring each garment remained wearable and relevant to modern audiences.
Ñesẽheka: The research began as a qualitative exploration of how emotional memory can shape sustainable fashion. The objective was to reinterpret 1980s silhouettes using responsible materials and handcraft techniques. Research methods included material experimentation, archival image analysis, and wearer interviews to study emotional connection to garments. Results revealed that tactile handwork and recycled materials enhance both emotional resonance and sustainability awareness in contemporary fashion.
Inspiración: Inspired by my grandmothers photographs from the 1980s, this project examines fashion as a carrier of personal and collective memory. Visual elements from domestic environments such as lace curtains, plastic flowers, and embroidered tablecloths are abstracted and translated into textiles, surface embellishments, and silhouette structures. The collection reinterprets nostalgia through contemporary design, positioning fashion as an archive of identity, cultural inheritance, and transformation.
Proyecto Ára Tuichakue: This project was initiated in April 2023 and completed in September 2024 in New York.
Mba'apo Rape: The collection is experienced through movement and tactile interaction. As the wearer moves, layered embroidery and sequins catch light, revealing hidden patterns and shifting textures. The garments invite sensory engagement, encouraging emotional connection through touch and reflection. Each piece performs as both clothing and storytelling medium, blending comfort with expressive form.
Patente-kuéra: Copyrights belong to Xinyu Zheng, 2025.
Trademark (2025) Tulip N’ Room.
Aty Rembiguái: /
Ta'ãnga Mba'eñemoneĩ: Stefy Lin, 2024.