Absinthe Escenario Ñemboja'o Vivian Lu omba'apóva

Absinthe Escenario Ñemboja'o Vivian Lu omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Pláta pegua Jechaukaha Arte Jejapo Ñeha'ã Categoría-pe.

PlátaJechaukaha Arte· 2020

Absinthe Escenario Ñemboja'o

Vivian Lu -gua

Mba'eporuhára: Vivian Lu Design Studio Limited

A' Design Award Pláta Rembiporuarã Jechaukaha Arte Categoría-pe

79,284

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #98919 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Absinthe Escenario Ñemboja'o Rehegua

Absinthe ha'e peteĩ escenario ñemboja'o oñemoñepyrũ va'ekue peteĩ teatropegua ñembojaru rehe física, mba'e ha psicología rehegua. Pe escenario oñemopu'ã peteĩ óvalo ryepýpe ohechaukáva ára ha ikatu avei oñemoñe'ẽ peteĩ galáxiaramo térã peteĩ jere apyra'ỹramo. Painel hũ ha ohechaukáva, oñemyenyhẽva pintúrape opa hendárupi omombe'u peteĩ arapy tuicha ha ojehecha kuaa'ỹva. Peteĩ láser tesarái ryapu ohechaukaha oñemboheko va'ekue oheja pe ñe'ẽ ojehecha, láser rendy oñembohapérõ actore-kuéra ñe'ẽ ryapúgui. Opa escenario ojejeko va'ekue oñeha'ã hikuái ikatu haguã umi omba'apóva oguata, oñani ha opo tekorosãme.

Jeguerohory

A' Design Award Pláta Rehegua

Absinthe Escenario Ñemboja'o ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Absinthe Escenario Ñemboja'o ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Absinthe Escenario Ñemboja'o ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Vivian introduced the technology of laser light sound visualiser to magnify senses in the whole theatrical experiences, and allowed sound to be seen. She custom-made different laser light gadgets and experiments with different materials to find the best one to be used on stage. Every angle of the middle circular stage was carefully designed and the inclusion of technology brought a whole new blend of artistic richness in theatre. The beauty of the design is the limitless interpretation of the set according to their understanding of the play. The oval stage represents time, but can be seen as the milky way, Möbius band etc.
Tuichakue ha Ñemyenyhẽ: Vivian experimented with different forms of custom-made sound laser visualiser to best utilise actors on stage
Ñe'ẽ Rape: Scenography, Stage Design, merging physics and set design
Ñeapopy Tecnología: The project required a lot of research and experimentation, especially experimenting with the laser light sound visualizer, making sure the visuals created from different sound frequencies went hand in hand with the general set design. A lot of prior research also had to be done on the subject matter or physics, black holes and relativity, to create a stage that portrayed elements of these subjects, to allow audiences to quickly connect and be immersed into the show as it was a play that discussed quite complex subjects. For the staging and material we chose dark reflective panels to create the effect of this vast yet mysterious universe, also covering it with splattered paint to symbolise the milky galaxy. This and stage received great feedback, and special mentions on review platforms highlighted and praised the stage design and effects, and how it truly immersed people into the story.
Diseño Jepy'apy: On the initial design part, there are a lot of discussions on how to tactic a complex play, where many deep subjects were discussed and visually portray it all in a manner that guided the audience into the topics and be immersed into the world. Technically during production the curvature of the oval shape had to be very exact, as we wanted to visually make it look really smooth when we detach it to different shapes. The kinds of wheels were also a very big technical challenge as the different points of attaching the wheels made a huge difference on the stage's mobility.
Ñesẽheka: Every angle of the main stage was experimented with consideration of the feasibility on how actor’s move on set. We experimented with different inclination of the set and prior to the performance, we trained actors to walk, run and jump at different angles we have on the circular stage to avoid stage accidents. The whole stage was built with extensive technological difficulties and precision because we had to find the balance of designing it to achieve desired artistic visual but also take intensive examination that structurally it is strong enough withstand immense weight.
Inspiración: Absinthe was a project that has given Vivian a chance to explore potential visuals merging physics and scenography. It was a play that explored topics on physics, matter and psychology. She wanted to experiment with different ways to unearth a new power to enhance audiences sense in the whole theatrical experiences. Vivian wanted to find new ways to capture audience’s imagination and to see how to create different relationship with time.
Proyecto Ára Tuichakue: The show was first showcased in Beijing in 2019 then toured around in Shenzhen and Shanghai in 2020.
Mba'apo Rape: Through the sound vibrations spoken from the actors, laser lights were distorted based on the frequency of spoken sound. The visuals that came out from the actors and actress voice varies drastically due to the pitch of their specific voice.. The actors rehearsed for months with the devices to create a specific imagery to go with the set design.
Aty Rembiguái: Stage Designer : Vivian Lu
Director : Johnny Tam