Boundless Forest Cibiyar Liyafar Baƙi daga James Yen

Zane Boundless Forest Cibiyar Liyafar Baƙi daga James Yen mai nasara ne mai daraja sosai na 2024 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Cikin Gida.

AzurfaCikin Gida· 2024

Boundless Forest Cibiyar Liyafar Baƙi

daga James Yen

Abokin Ciniki: WI.Design

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Cikin Gida

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Tabbatar da Matsayin Kyauta na #152409

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Boundless Forest Cibiyar Liyafar Baƙi

Boundless Forest cibiyar liyafar baƙi ce da ke ƙasar Taiwan. Ginin mai hawa biyu ya mamaye murabba'in mita 876 kuma ya ƙunshi filin waje, wurin zama na gama-gari da kuma gidajen nuni guda uku. Tsarin katako ne ya lulluɓe ginin ƙarfe, yayin da gilashi, gasassun sanduna (grille), itacen cypress, dutsen marmara da shafe-shafen bango (stucco) suka cika jerin kayan ginin. Zanen itace mai ɗumi yana haɗa cikin gida da waje kuma hasken wuta yana ƙara fitowa da shi fili. A wurin zama na gama-gari, hangen taga ya maye gurbin katangu masu ƙauri kuma ya kawo koren shuke-shuken da ke kewaye zuwa cikin gida. An yi amfani da kyawun fasahar gabas ta hanya mai sauƙi kuma daidaitacciya.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Boundless Forest Cibiyar Liyafar Baƙi ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Boundless Forest Cibiyar Liyafar Baƙi ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Boundless Forest Cibiyar Liyafar Baƙi ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Shared Space-An Expression of Oriental Culture: The project continues the oriental aesthetics, with a modern interpretation of the classic and the new. The gentle and soft tone of the stable wood veneer is wrapped around the steel structure, which has a strong and flexible spirit. The details are composed of glass and brand logos.
Show Apartment-Oriental feminine impression: The warm atmosphere of the wood tone is also displayed in the three show apartments. Especially visualized the gentle feminine spirit in them. With analogy, they have added a human touch to the spaces.
Girma da Fakitin: The base has a total area of 876 square meters and consists of two floors. It includes outdoor space, shared space, and three show apartments. The show apartments are available in three sizes: 92.5 square meters (2 rooms), 122.3 square meters (2 plus 1 room), and 155.3 square meters (3 plus 1 room).
The design team was responsible for the construction of the base from start to finish, maximizing natural lighting. The building is a long rectangular shape with excellent lighting on the wide side, allowing the whole room to be bright.
Kalmomin Alama: Oriental culture, light tone, large space, Scandinavian style, classical style, Oriental style, wood grain.
Fasahar Samarwa: Building materials: steel structure, glass, grille, cypress, marble, stucco, trims, iron parts, etc.
The project uses wood grain as the main visual. Solid wood can reduce the smell of formaldehyde produced during adhesion. Meanwhile, a warm tone connects the interior and exterior, and the impressive but not exaggerated wood grain texture is highlighted under the lighting. With some stone and steel, the impression of nature is deeply engraved in the minds of visitors.
Ƙalubalen Zane: The challenge of the project is "comprehensive design". The conventional arrangement in Taiwan is to divide the design of the reception center into three units, from the building to the interior design. The interior design can be subdivided into shared spaces and show apartments. The project was a combination of time, cost, and manpower management. As well as the large size of the site, the scale of each design and the perspective of the design team had to be extended. Ultimately, since the design team is solely responsible for the project, the theme and aesthetics are consistent.
Bincike: The project is a reception center named "Boundless Forest", which echoes the surrounding environment. As a neighbor to the lush greenery, the natural scenery is also the core of the reception center. The project is a metaphorical blend of oriental aesthetics, providing a comfortable atmosphere for visitors.
A classic design must keep up with the times. The project is based on a strong oriental style with a minimalistic approach to reveal the tone of each space, with a few planting touches. The goal of the reception center is to showcase the style and design of each room.
Wahayi: The project is a reception center that aims to showcase the various possibilities of space. The design team combined the greenery of the base and the characteristic wooden frame structure to metaphorize the unique beauty of Oriental culture. From the building to the interior design, the design team has created a clear, complete, and unambiguous theme. The project has natural elements such as wood, steel, and stone to immerse visitors and owners in the unique oriental philosophy of Tai Chi, and to create a sophisticated design that echoes the interior and exterior.
Tsawon Lokacin Aikin: The project finished in February 2022 in Taiwan.
Tsarin Aiki: The purpose of the reception center is to show each unit concretely. Given this, the design team meticulously presented each area of the show apartment in different styles. To avoid fragmentation of the elements, the Oriental culture is delicately integrated into each space, allowing visitors to immerse themselves in the aesthetics. The same design style and lines can reduce the gap in visiting each space, thus achieving a perfect experience. It is worth mentioning that the design team not only analyzed the conditions in the space but also found the advantages of the base.
Mambobin Ƙungiya: James Yen
Godiyar Hotuna: WI.Design