Takanabe Ninomaru Gidan Kayan Gargajiya na Tarihi daga Tomohiro Kaji

Zane Takanabe Ninomaru Gidan Kayan Gargajiya na Tarihi daga Tomohiro Kaji mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Al'adun Gargajiya.

ZinariyaAl'adun Gargajiya· 2025

Takanabe Ninomaru Gidan Kayan Gargajiya na Tarihi

daga Tomohiro Kaji

Abokin Ciniki: Takanabe Town Hall

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Al'adun Gargajiya

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #167822

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Takanabe Ninomaru Gidan Kayan Gargajiya na Tarihi

Gidan Kayan Gargajiya na Takanabe, wanda aka kafa a shekara ta 1986, an sake fasalin sa don magance raguwar sha'awar masu ziyara saboda kayan baje-kolin da suka wuce zamani. Sake fasalin ya rungumi JIN, falsafar tausayi da kirki, yana mai da shi cibiyar al'adu da ilimi mai haɓaka girman kai na jama'a. Ta hanyar ba da labari ta gani da ƙirar sarari, sabuntawar ta gabatar da tsarin shirya mai jigo, baje-koli na nutse-ciki, da katakan acrylic masu yaduwa waɗanda ke wakiltar ci gaban tarihi. An sake masa suna NINOMARU History Museum, yanzu yana aiki a matsayin sararin mu'amala inda al'ada, ilimi, da al'umma ke haɗuwa.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen Takanabe Ninomaru Gidan Kayan Gargajiya na Tarihi ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen Takanabe Ninomaru Gidan Kayan Gargajiya na Tarihi ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen Takanabe Ninomaru Gidan Kayan Gargajiya na Tarihi yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Girma da Fakitin: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Kalmomin Alama: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Fasahar Samarwa: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Ƙalubalen Zane: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Bincike: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Wahayi: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Tsawon Lokacin Aikin: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Tsarin Aiki: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Godiyar Hotuna: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)