Huong Incense Asalin Alama, Zanen Marufi daga Huy Nguyen Tran

Zane Huong Incense Asalin Alama, Zanen Marufi daga Huy Nguyen Tran mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Talla.

TagullaTalla· 2026

Huong Incense Asalin Alama, Zanen Marufi

daga Huy Nguyen Tran

Abokin Ciniki: Huong

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Talla

8,326

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #178292

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Huong Incense Asalin Alama, Zanen Marufi

Huong wani aiki ne na gina alama da zanen marufi don wata alamar turaren wuta ta Vietnam ta zamani. Zanen ya sake fassara bautar kakanni a matsayin wata al'ada ta natsuwa mai motsa hankula ga matasa. Launuka suna bin ka'idar Abubuwa Biyar, kuma tsarin marufin ya samo asali daga Jituwa Shida da gidan gargajiya mai dakuna uku. Kayan sun hada da babban akwati mai kusurwa shida, kananan akwatunan turare shida na ciki, wuraren ajiye turare biyu da kayan bugu. Wani gidan yanar gizo mai rakiya mai suna Gap yana fadada wannan tsarin gani, yana ba wa masu ziyara damar yin mu'amala da siffofin kakanni da aka samar daga inuwarsu.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Huong Incense Asalin Alama, Zanen Marufi ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Huong Incense Asalin Alama, Zanen Marufi ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Huong Incense Asalin Alama, Zanen Marufi yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Huong (Scent) is a contemporary incense brand that reinterprets Vietnamese ancestor worship for younger generations through a refined sensory-wellness ritual. Distinctive strengths include a heritage-led identity system, Five Elements color logic, and packaging architecture derived from Six Harmonies and traditional three-compartment house typology. The project is extended by Gap (Meet), an interactive platform where users’ shadow-based ancestral silhouettes connect personal memory with collective lineage.
Girma da Fakitin: The set includes 1 hexagonal master box, 6 inner incense boxes, 2 incense holders, and supporting printed materials (brochure, leaflet, instruction card). The structure is based on Six Harmonies and a three-panel opening inspired by traditional Vietnamese altar-house layouts. The package combines symbolic storytelling and practical usability, while the Gap (Meet) website extends the same visual system into an interactive digital ritual journey.
Kalmomin Alama: Renovative, Original, Respect, Nostalgic, Mythical
Fasahar Samarwa: We developed Huong through a research-led creative process that blends cultural storytelling with contemporary brand execution. The system includes identity design, pattern development, structural packaging prototyping, 3D visualization, and interactive web design. From logo to layout, each element was refined through iterative testing to keep the experience meaningful, clear, and emotionally engaging across print, object, and digital touchpoints.
Ƙalubalen Zane: The hardest part was modernizing a sacred tradition without reducing it to decoration. We needed to balance spiritual authenticity with contemporary aesthetics across language, form, and interaction. Another challenge was building one coherent narrative across packaging and digital media. Through repeated cultural review and design iteration, we achieved a system that feels both respectful and relevant to younger audiences.
Bincike: This project uses qualitative cultural and design research. Our objective was to renew Vietnamese ancestor worship for younger generations. We combined desk research, visual analysis, and iterative prototyping, using historical references, folklore symbols, packaging mockups, and interaction wireframes. Team critiques and user readability checks guided refinement. The result is a clear, heritage-led brand experience that strengthens cultural continuity and makes ritual practice more approachable in modern life.
Wahayi: Huong was inspired by Vietnam’s fading tradition of ancestor worship and the profound symbolism of incense as a bridge between worlds. Through cultural research on Vietnamese rituals, Vietnamese Gods, Spiritual Deities, Five Elements Theory, and the Yin–Yang philosophy, the project reinterprets these heritage elements into modern packaging and digital experiences—reviving spiritual values and reconnecting younger generations with their ancestral roots.
Tsawon Lokacin Aikin: The project started in April 2025 and finished in November 2025 in Ho Chi Minh City, Vietnam
Tsarin Aiki: The experience begins as users open the hexagonal master box, revealing six incense sets arranged like chapters of a story. Each box unfolds smoothly, guiding the user through layers of discovery—from lighting incense, uncovering its meaning, knowing more about Ancestral Worshipping and Vietnamese Incense Village.

The Gap (Meet) website extends this ritual digitally, letting users interact with ancestral silhouettes inspired by their own shadow—turning a simple act into a personal, spiritual reunion.
Mambobin Ƙungiya: Director: Huy Nguyen
Designer: Linh Bui
Designer: Thanh Nguyen
Motion Designer: An Do
Copywriter: Mai Phuong Le
Copywriter: Thien My Bui
Motion Designer: Thanh Dang
3D Supervisor: Thu Pham
3D Designer: Khanh Nguyen
Instructor: Ha Van Minh