Vitrine Delumini Aikin Farko: Baje-koli daga Thiago Mondini

Zane Vitrine Delumini Aikin Farko: Baje-koli daga Thiago Mondini mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Cikin Gida.

TagullaCikin Gida· 2026

Vitrine Delumini Aikin Farko: Baje-koli

daga Thiago Mondini

Abokin Ciniki: Thiago Mondini Arquitetura

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Cikin Gida

6,946

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #180516

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Vitrine Delumini Aikin Farko: Baje-koli

Rubutun Littafi: Wannan baje-koli ne na kayan ɗaki a wani babban shago a Brazil. An ƙirƙiri sarari daban-daban don ƙara jin daɗin kowane samfuri, ko mai launuka iri-iri ko kuma mai sauƙi. Ana nuna samfura na musamman a ɓangaren shago mai launin ja mai duhu, yayin da samfura marasa launi, waɗanda suka fi sauƙin amfani, ake nuna su a ɓangaren fari na shago. Akwai kuma sarari na uku, mai launuka masu duhu, inda ake baje kolin kayan ɗaki da samfura masu launuka masu zurfi.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Vitrine Delumini Aikin Farko: Baje-koli ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Vitrine Delumini Aikin Farko: Baje-koli ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Vitrine Delumini Aikin Farko: Baje-koli yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This exhibition presents furniture within a large-scale store in Brazil, organized to enhance the perception of each product. Distinct zones were created to emphasize their character: the burgundy area showcases special, standout pieces; the white section features neutral, versatile products; and a third, darker-toned space highlights furniture and items with deeper hues, providing a carefully curated and visually coherent presentation.
Girma da Fakitin: 585 square meters
Kalmomin Alama: interior, interior design, store, commercial, furniture, brazil, brazilian, brasil, contemporary, color, burgundy, ecletic
Fasahar Samarwa: The design focused on highlighting each product through distinct spatial environments. Rich burgundy walls were chosen to intensify colors and create striking contrasts, while white walls provide a neutral backdrop that emphasizes the form and details of the furniture. The process combined careful color studies, material selection, and spatial composition to ensure each piece stands out without visual conflict, creating a balanced and immersive exhibition experience.
Ƙalubalen Zane: The greatest challenge was the limited time available to complete the project, which demanded rapid yet careful decision-making. Equally complex was working with the existing product stock while creating a visually coherent and engaging exhibition. Internally, the design had to respect aesthetic and social expectations for a modern retail experience, while externally, constraints included production limitations, material availability, and the need to adapt to the store’s physical layout and technical possibilities.
Bincike: Research was design-focused, exploring how spatial environments affect product perception. Objectives were to highlight furniture through color and context while creating an engaging visitor experience. Methodology included spatial analysis, color studies, and material testing. Data was collected via mock-ups, material samples, and staff/visitor feedback. Participants included store staff and visitors. Results showed distinct zones improved product visibility and appreciation. Insights revealed that environmental contrast enhances perception, impacting retail display strategies, visitor engagement, and design thinking in commercial spaces.
Wahayi: A vibrant furniture display, intentionally departing from the typical white and minimal commercial interiors, designed to engage and inspire both clients and industry professionals.
Tsawon Lokacin Aikin: The project started in July 2025 and finished in August 2025, in Balneario Camboriu, Brazil.
Tsarin Aiki: Interaction is guided by the store’s spatial layout. Visitors naturally move through four distinct zones: the burgundy area highlights vibrant pieces, the white zone emphasizes neutral forms, the rear space showcases lighting, and the upper dark area presents deeper-toned furniture. Each transition frames products in contrast-rich environments, enhancing perception and engagement, allowing visitors to appreciate color, form, and material more clearly than in a conventional display.
Mambobin Ƙungiya: Architect: Thiago Mondini
Godiyar Hotuna: Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso
Image #4: Photographer ArqVerso
Image #5: Photographer ArqVerso