ʻO Ike Hale na Hatsuo Morimoto he mea lanakila hanohano loa o ka 2021 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KeleaweHoʻolālā Hale· 2021

Ike Hale

na Hatsuo Morimoto

Mea Kūʻai: moKA architectural design office

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Hale

11,833

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #110168

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Ike Hale

He hale ʻekolu papahele me kahi hale kiʻekiʻe (penthouse) ʻo Ike, i kūkulu ʻia ma kahi kūlanakauhale piha kanaka o Nagoya, Kepanī. He 365 mika hoʻonui ka ʻāina o kēia hale konekeleke hoʻoikaika ʻia, a he 602 mika hoʻonui ka ākea papahele. Ua hoʻopau ʻia nā paia waho me ke konekeleke kiko lāʻau, i hana ʻia ma ke kau ʻana i nā papa kedera i loko o ke kaha hoʻolina ma mua o ka ninini ʻana o ke konekeleke. ʻO nā puka ʻīpuka kaʻa lāʻau, ke aniani pale makani, a me nā poloka pā pōhaku ka mea e hoʻopiha ai i ke ʻano waho. ʻEkolu māla liʻiliʻi e lawe mai i ka mālamalama kaupili, ka ea, a me ka uliuli i loko o nā lumi. Ua hoʻoneʻe ʻia nā papahele luna i mea e hiki mau ai ka lā ke pā aku i nā hale kokoke.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Ike Hale i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Ike Hale he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Ike Hale i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The concrete of the outer wall skin of the building is grained.
This kind of skin is expressed by pasting a cedar board inside the formwork and pouring concrete into it.
By providing this concrete wall three-dimensionally, it gives a sense of dynamism to the architecture.
By changing the composition of the surface, it becomes a sculptural accent of the overall form.
These "deviations" provide space for light and wind to enter and exit, and also provide benefits to the interior space.
Nā Ana a me ka Hoʻopili: Site area 365㎡, floor area 602㎡, 3 stories + penthouse, reinforced concrete construction
Nā Lepili: Architecture, House, Concrete, Curtain wall, Garden, Japanese
ʻEnehana Hana: As a designer, I am also aware of the cityscape in this residential area.
The exterior material should have been fashion-independent.
I used universal wood grained concrete exposed finishes, garage door wood, curtain wall glass, and stone fence blocks.
These have a solid design that directly conveys the texture of the material.
In a densely populated urban area, it contributes to the formation of a good cityscape without being eccentric.
Pilikia Hoʻolālā: Neighboring houses need to be considerate of each other because they stand urgently in this environment of the city.
The shape of this house is offset toward the upper floors so that the neighboring house does not limit all sunlight.
Furthermore, it is designed to acquire the necessary living space while suppressing the height, which is a legal constraint.
Noiʻi: Since the Meiji era, 150 years ago, feudal regulations have been removed, and it has become possible to own land and build houses according to financial resources.
The site in the city area is becoming more fragmented, the distance to the neighboring house is becoming closer, and privacy is becoming more conscious.
The property awareness of land and buildings is increasing, and people tend to be nervous about actions at the border.
But housing should not be too closed.
The task this time is a perfect balance of the transparency of the various skins that architecture wears.
Hoʻoulu Manaʻo: The urban areas of Japan are often densely populated with houses.
It is necessary to think about the architectural space in the limited site, even though it is imminent with the neighboring house.
How to arbitrate with the surrounding environment is an important design issue.
Residents want to hide their private life, but it's stuffy to be closed.
Therefore, we focused on materials that have various transmission functions on the exodermis.
Ka Lōʻihi o ka Papahana: This project started in Nagoya in October 2016, started construction in May 2017, and was completed in January 2019.
Kaʻina Hana: This house occupies about 70% of the land.
I try to encourage indirect light and ventilation into the room by setting up gardens as pockets in three places.
As a result, the residents can see the greenery arranged there from the interior space of the house.