Talking Peppers ʻo Ke Kiʻi Kiʻi Kiʻi na Giuseppe Persia

ʻO Talking Peppers ʻo Ke Kiʻi Kiʻi Kiʻi na Giuseppe Persia he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Paʻi Kiʻi a me Hoʻololi Kiʻi.

KalaPaʻi Kiʻi· 2021

Talking Peppers ʻo Ke Kiʻi Kiʻi Kiʻi

na Giuseppe Persia

Mea Kūʻai: Fotografia di Giuseppe Persia

Mea Lanakila A' Design Award Kala ma ka Māhele Paʻi Kiʻi

52,499

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #113450

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Talking Peppers ʻo Ke Kiʻi Kiʻi Kiʻi

ʻO nā kiʻi Nus Nous e hōʻike ana i nā kino kanaka a i ʻole kekahi hapa o lākou, ʻoiaʻiʻo, ʻo ka mea nānā ke makemake e ʻike iā lākou. Ke nānā mākou i kekahi mea, ʻo kahi kūlana, nānā mākou iā ia me ka naʻau a no kēia kumu, ʻae pinepine mākou iā mākou iho e hoʻopunipuni. Ma nā kiʻi Nus Nous, ʻike ʻia ke ʻano o ke ʻano o ka ambivalence i hoʻololi ʻia i loko o ka noʻonoʻo e hoʻokaʻawale iā mākou mai ka ʻoiaʻiʻo e alakaʻi iā mākou i loko o kahi labyrinth noʻonoʻo i haku ʻia me nā manaʻo.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Talking Peppers ʻo Ke Kiʻi Kiʻi Kiʻi i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Talking Peppers ʻo Ke Kiʻi Kiʻi Kiʻi he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Talking Peppers ʻo Ke Kiʻi Kiʻi Kiʻi e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Talking peppers are part of a project entitled Nus Nous which literally means body and mind (from a Greek and a French term). They seem to be human bodies or parts of them, in reality it is the observer who wants to see them but just rotate them and what we imagine we saw disappears. In many Nus Nous images, everyone sees different things according to their state of mind, it may happen that the same image seen at a later time may represent different things from before.
When it is possible, in artistic events, is presented a photo mounted on a support that can be rotated by the observer who rotates it until it attracts his attention, at that moment the image begins to dig into the meanders of his mind and creates emotions. The observer does not know why the image attracts his attention and perhaps at the moment does not even bring out any memory, he only knows that it creates a certain emotion and looks at it, approaches and then moves away, his expression changes, he smiles or he gets sad.
In the Nus Nous photographs clearly appears how the element of ambivalence is transformed into a subtle elaboration of the mind that distances us from reality to lead us into an imaginary labyrinth, made up of suggestions and evocative visions. They are images capable of suggesting bodies not devoid of sensual and mysterious charm. All this is made possible by the use of a close-up shooting technique and a complex lighting system. The photographs are in black and white, the absence of color, in fact, makes it easier to decontextualize the subject, favoring a freer reinterpretation.
Nā Ana a me ka Hoʻopili: The images are very suggestive, some seem naked, others a tangle of bodies, some shamelessly scandalous.
Nus Nous photography sends a message, which does not concern only images but also situations;
"Everything you see, indeed, that you think you see, may not be reality"
The photos are actually macro-photographs, the distance from the subject is a few centimeters, the depth of field, at times, less than a centimeter, so much so that I am forced to very small apertures, f. 64 and f.128 the machine is a 4 "x 5" optical bench and they take me the exposure to a few minutes, the bellows elongation reaches up to 30 cm, the optics are those of a microscope and the scientific optics, suitable for short distances. The glossy surface of the vegetable greatly raises the contrast and creates a lot of reflections, I experimented with different developments for negatives until I found the ideal negative / development combination, which allowed me great results. The negatives are printed on "Archive" paper with a cotton support with the classic manual development, which unfortunately is disappearing and turns to selenium, which contributes to an enormous durability. The dimensions are 400 x 500 mm mounted on passepartout and black aluminum strip with a thickness of 10 mm but can also be produced in larger sizes
Nā Lepili: analogue gelatin silver photography, fine art, conceptual photography
ʻEnehana Hana: Classic analogue photography on cotton-backed paper with dimensions 500 mm x400 mm. Nus Nous images can also be produced on aluminum with dimensions up to 600 mm x800 mm
Pilikia Hoʻolālā: Talking peppers are part of a project entitled Nus Nous which literally means body and mind (from a Greek and a French term). They seem to be human bodies or parts of them, in reality it is the observer who wants to see them but just rotate them and what we imagine we saw disappears. In many Nus Nous images, everyone sees different things according to their state of mind, it may happen that the same image seen at a later time may represent different things from before.
When it is possible, in artistic events, I present a photo mounted on a support that can be rotated by the observer who rotates it until it attracts his attention, at that moment the image begins to dig into the meanders of his mind and creates emotions. The observer does not know why the image attracts his attention and perhaps at the moment does not even bring out any memory, he only knows that it creates a certain emotion and looks at it, approaches and then moves away, his expression changes, he smiles or he gets sad.
In the Nus Nous photographs clearly appears how the element of ambivalence is transformed into a subtle elaboration of the mind that distances us from reality to lead us into an imaginary labyrinth, made up of suggestions and evocative visions. They are images capable of suggesting bodies not devoid of sensual and mysterious charm. All this is made possible by the use of a close-up shooting technique and a complex lighting system. The photographs are in black and white, the absence of color, in fact, makes it easier to decontextualize the subject, favoring a freer reinterpretation
Noiʻi: The research can be explained by the phrase that clearly represents the Nus Nous project: "Everything you see, indeed, what you think you see, may not be reality. The explorer who looks at the clouds discovers mysterious landscapes, the poker player the ace of spades ". During an exhibition I observe a person (a man of about 35 years) who rotates the photograph several times and then stops it in a position, moves away and continues to observe it, I approach him and he asks me if I am the author and then explains what he sees: an elephant head, I approach and examine the photograph minutely but I do not see anything, the visitor notices this and surprised explains me in detail saying that it is very clear and pointing to the head, ear and trunk. The image had acted in the most hidden areas of his mind, bringing out disappeared memories. I tried several times to look for the elephant's head in that photograph but never got to see it
Hoʻoulu Manaʻo: Often we realize that in the evaluation in a situation, that a wrong choice has been made, this is caused by the fact that we liked that situation and we imagined it in a too optimistic way. After the time of "sympathy" towards that situation, we realize that we have thought too little. The Nus Nous photos teach us to observe, not just images
Ka Lōʻihi o ka Papahana: The project started in 2000 in Treviso and is still being implemented with about 900 4"x 5" negatives. In 2019 some images were selected by multiple Russian juries and exhibited in Moscow in the Kremlin museum, as well as having received other awards
Kaʻina Hana: It is an artistic product and lends itself to the decoration of the home, office or other structures. Photographic project never developed by any photographer, in the field of painting it could be compared to Arcimboldo's canvases
Nā Kuleana Kiʻi: Photographer producing artistic images with a preference for analogue black and white