Unasur Ke Keʻena Poʻo Hoʻonaʻauao Kūhelu na Diego Guayasamin

ʻO Unasur Ke Keʻena Poʻo Hoʻonaʻauao Kūhelu na Diego Guayasamin he mea lanakila hanohano loa o ka 2021 A' Design Award Palatina ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

PalatinaHoʻolālā Hale· 2021

Unasur Ke Keʻena Poʻo Hoʻonaʻauao Kūhelu

na Diego Guayasamin

Mea Kūʻai: Unasur

Mea Lanakila A' Design Award Palatina ma ka Māhele Hoʻolālā Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #118920

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Unasur Ke Keʻena Poʻo Hoʻonaʻauao Kūhelu

ʻO Unasur he hale keʻena poʻo kūhelu i kūkulu ʻia ma ka ʻaoʻao o ke kia hoʻomanaʻo ʻo Mitad del Mundo, ma ka ʻākau o Quito, ʻEkuadora. Aia ma kahi o 75 pākēneka o ka papahana ma lalo o ka honua, no laila ua haʻahaʻa iho ka nui o ka hale ma mua o ke kia hoʻomanaʻo kokoke. Kākoʻo kekahi kikowaena paʻa i hana ʻia me ka puna paʻa hoʻoikaika ʻia i ʻelua mau kua metala nui e hana ana i kaola hiki ke noho ʻia me ka ʻoʻā puka he 56 mika me ke kākoʻo ʻole. Aia ma waena o nā mea kūkulu ka puna paʻa, ke kila, ka pōhaku mai kahi lua ʻeli pōhaku ma ka pā ponoʻī, a me ke aniani ʻeleʻele pālua. Hōʻemi ka hōʻiliʻili wai, ka hoʻomāhū keʻa, a me ka mālamalama kūlohelohe i ka hoʻohana ʻana i ka ikehu. He wahi ākea no ka lehulehu nā wahi hāmama a puni ka hale.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Palatina

Ua lanakila ka hoʻolālā Unasur Ke Keʻena Poʻo Hoʻonaʻauao Kūhelu i ka A' Design Award Palatina, he ʻike hoʻohanohano nui i hāʻawi ʻia i nā hoʻolālā ʻoiaʻiʻo loa ka kūʻokoʻa, ka nani a me ka kamahaʻo. He mau mea kupaianaha o ka hana noʻeau nā lanakila Palatina, he mau hōʻike o nā palena o ka noʻonoʻo hana noʻeau, a hōʻike lākou i ka ʻoihana ʻoi aku a me ka ʻuhane akamai o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo kēia mau hoʻolālā nā hana kaulana loa e wehewehe ana i ka nani o kekahi au, kōkua i ke ola pono o ke kaiāulu a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hōʻike ka hoʻolālā Unasur Ke Keʻena Poʻo Hoʻonaʻauao Kūhelu i ke kūlana ʻoi kelakela i ʻoi aku ma mua o ka palena a hoʻomaikaʻi ʻole ʻole i ka honua ma o kona mau ʻano pōmaikaʻi a waiwai. He hana ka hoʻolālā Unasur Ke Keʻena Poʻo Hoʻonaʻauao Kūhelu i lanakila i ka A' Design Award Palatina e hoʻāla i ka makemake, hoʻoulu, hoʻoikaika, hoʻohauʻoli a hoʻā i ka hauʻoli nui.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The building's spatiality, tectonics and program played a fundamental role. The architects have been the designers, the interior designers and the landscape architects. Starting by choosing rock from an on-site quarry to connect the Middle of the World Complex to the project, as a continuous urban space. The use of double insulated dark glass, generating exteriority vs. interiority, day vs. night, transparency vs. opacity, contrasts. The tectonic was deeply analyzed because it had to satisfy standards, norms and protocols from 12 Latin American countries.
Nā Ana a me ka Hoʻopili: Structurally, the predominant materials are concrete and steel. The proposal of a solid core of reinforced concrete where two large metal trusses were anchored in a way of a habitable beam. The structure results in a positive, proactive, strong and iconic image system. This scheme is the largest armor cantilever in South America with 56 meters without support. Thus modeling technology, drive and creativity.
Nā Lepili: Metaphor, Freedom, Cantilever, Sculpture, Timeless, Equator, Sun, Iconic, Latitude
ʻEnehana Hana: Environmentally UNASUR is committed to biophilic design and efficient strategies that aid in mitigating and controlling the carbon footprint left by the building. Starting with on-site materials, high-end technology and passive sustainable strategies such as water collection, certified materials, low energy consumption, cross ventilation, double skin façade system, double glazed glass, natural light, green interior and exterior areas, among others.
Pilikia Hoʻolālā: A special analysis has been made to the immediate context and specifically on the Mitad del Mundo Monument. The building of UNASUR, has a horizontal type that does not exceed the height of that monument. Therefore, it is implanted in a lower level and even solves 75% of its program underground; including some of the building's significant areas such as the museum, library, etc. In this way the impact of a volume with a high requirement of areas is minimized.
Noiʻi: UNASUR is a worthy proposal with balanced combination of functionality, symbiosis of conceptual and pragmatic aspects in an iconic project with sober aesthetic.
Hoʻoulu Manaʻo: The Project is located in Quito, Ecuador. Formally, the new building appears as a volume developed by three virtual axes. North-South the projection of the proposal with La Mitad del Mundo and the combination of these axes in 47 degrees, resulting from the sun or displacement of maximum declination north (23.5 degrees) and maximum declination south (23.5 degrees) in relation to the equator. The rest of the architectural approach is enrolled in the East-West axis.
Ka Lōʻihi o ka Papahana: The project is located next to the Mitad del Mundo monument, 14 km north of the capital city, Quito - Ecuador. The site of the proposal has been conceived as a continuous environment without barriers and open to the public, transmitting dimensional dynamic space to the mentioned complex. Likewise, the building is set back generating a large entrance plaza to the project, as a gesture of respect and contribution to the immediate environment.
Kaʻina Hana: The project for UNASUR has not only analyzed the proposal within its limits. It is a socially inclusive proposal that generates open spaces for the community, as well as library and recreational areas. All of which encompasses a part of a much more ambitious integral project for the sector, including the re-empowerment of Manuel Cordova Galarza Avenue. Additionally, the reforestation of the Catequilla and Casitagua Hills, the new Boulevard of Equinoccial Avenue as an access to San Antonio de Pichincha, sports fields and finally, parks/public spaces. This involves a real and tangible catalyst for development for the sector and for tourism in the city.
Nā Lālā Hui: Diego Guayasamin, Arch.
Pablo Espinoza, Arch.
Alejandro Garcia, Arch.
Nā Kuleana Kiʻi: @DiegoGuayasaminArquitectos