I am Nesia Kaʻina Paʻi Kiʻi na Chris Slabber

ʻO I am Nesia Kaʻina Paʻi Kiʻi na Chris Slabber he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Paʻi Kiʻi a me Hoʻololi Kiʻi.

KalaPaʻi Kiʻi· 2021

I am Nesia Kaʻina Paʻi Kiʻi

na Chris Slabber

Mea Kūʻai: Chris Slabber

Mea Lanakila A' Design Award Kala ma ka Māhele Paʻi Kiʻi

47,568

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #123356

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā I am Nesia Kaʻina Paʻi Kiʻi

ʻO wau ʻo Nesia he kaʻina paʻi kiʻi e pili ana i nā hopena o ka pani ʻana o ka makahiki 2020 i ka ʻuhane kanaka. Ua hana ʻia kēlā me kēia kiʻi ma o ka hoʻohuli ʻana i ke kālele ʻana o ka lens i ke kuhikuhi hewa, i lilo ai nā ʻāina i mau kula palupalu o ke kala e like me nā kiʻi pena wai. Ua hoʻohui ʻia he kiʻi ʻeleʻele i kēlā me kēia hiʻohiʻona ma ke ʻano he hoʻohālike no ka makaʻu a me ka hopohopo, a ua hoʻopau ʻia nā haku ʻana e kekahi ʻano ʻili huna. Ua hana ʻia ke kaʻina ma ke ʻano he mau pahu māmā nunui o 1200 ma 2000 mm. ʻO ka manaʻo, ʻo ia ka hoʻopaʻa ʻana i kekahi manawa maopopo ʻole a me ka hōʻike ʻana e hiki i nā kānaka ke hoʻololi a lanakila.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā I am Nesia Kaʻina Paʻi Kiʻi i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā I am Nesia Kaʻina Paʻi Kiʻi he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā I am Nesia Kaʻina Paʻi Kiʻi e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This series of images is an interpretation of the effects that the recent lockdown had on the human spirit. It documents how loneliness effected human behaviour. The big uncertainty produced by the pandemic has seen a spike in anxiety and depression on a global scale. There was a blanket of fear draped across society. This is represented by the out of focus images and emphasised by the dark figure looming in the background.
Nā Ana a me ka Hoʻopili: The end product will be produced as large format light boxes. Width 1200mm x Height 2000mm. The light box will enhance the emotional value of the pieces.
Nā Lepili: colour scapes, landscape photography, lockdown, pandemic, out of focus, fear, challenge,
ʻEnehana Hana: The idea was to create water colour scapes using photography. This was achieved by turning the focus completely in the wrong direction in order to manipulate pixels. While looking through the viewfinder, the idea was to find a good composition of colours instead of background, foreground and background elements. Afterwards the dark figure was inserted into the selected colour scapes in photoshop. Each piece was then finished with a grain texture to boost the emotional value of the pieces.
Pilikia Hoʻolālā: The biggest challenge was to make a rather ominous theme come across as aesthetically pleasing. This was resolved by using well balanced colour palettes along with the right composition for each image. In most of the images there is a lot of sky. This gives the idea of space or the unknown. The dark figure is a metaphor for the fear and anxiety aspect of the lockdown, but this poses the question to the viewer. Will you run in fear or will you walk towards the figure and engage with your fear? To finish off the work, the light box will create movement and dynamics in the compositions.
Noiʻi: To create these colour scapes I had to shift my focus from looking at landscapes in terms of foreground, middle ground and background. Instead the I had to find colour scapes. This meant that the compositions were dictated by the right balance of colours within the viewfinder. The end result should be a completely abstract interpretation of the actual landscapes. Each image should have its own emotional value, achieved by the colour palettes. This started to incorporate colour theory on a psychological level. Once produced as a light box, the work will reach a higher level of engagement on an emotional and visual level.
Hoʻoulu Manaʻo: The moment of inspiration came when trying to photograph a moth against a dirty window. The actual photo of the moth didn't look great, but the out of focus background really evoked emotion. Using this as inspiration, I photographed various landscapes by opening up the aperture and cranking the focus all the way in the wrong direction. The end result was a photograph that looked like a blurry water colour painting. Instead of landscape photography, the exercise became colours cape photography.
Ka Lōʻihi o ka Papahana: The was created in June 2020 during hard lockdown. I had to sneak out during curfew to take the photos.
Kaʻina Hana: The series was created as a reminder of the 2020 lockdown during the Covid 19 pandemic. The images is firstly meant to remind us of how uncertain our future became in a matter of months. It is a reminder of the fear felt on a global scale. Most important, it is there to remind us that we can prevail and adapt in order to survive and ultimately overcome the damage done by the pandemic. So even though the images might come across as dark, they are in fact a celebration of the human spirit.
Nā Kuleana Kiʻi: Image #1: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #2: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #3: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #4: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #5: Photographer Chris Slabber, Manipulation Chris Slabber, 2020