ʻO Yatsugatake Villa Hale Waihoʻoluʻu na Kiyotoshi Mori and Natsuko Kawamura he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.
KeleaweHoʻolālā Hale· 2022
Yatsugatake Villa Hale Waihoʻoluʻu
na Kiyotoshi Mori and Natsuko Kawamura
Mea Kūʻai: MDS Co., Ltd.
Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #129187Ka Hoʻolālā
E Pili Ana iā Yatsugatake Villa Hale Waihoʻoluʻu
He hale waihoʻoluʻu ʻo Yatsugatake e waiho ana ma Hokuto-City, Yamanashi, Iapana. Hana ʻia ka hale e ʻekolu paipu huinahā-lōʻihi (trapezoid) i hoʻonohonoho ʻia ma ke ʻano peahi a wehe ana i ka ʻaoʻao hema. ʻAe ka puka nui ma ka hema i ka mālamalama o ka lā i ka wā anu o ka hoʻoilo, a ʻo ke kaupale hoʻonui ʻia a me nā paia ʻaoʻao e ālai ana i ka lā ikaika o ke kauwela. ʻAe nā puka makani ma ka ʻaoʻao ʻākau a me ka hema i ka makani e komo a hele ʻia ma loko o ka hale. Hoʻohana ʻia ke kūkulu lāʻau kuʻuna o Iapana, me ka lāʻau kēdara, ka palasetā, a me nā pale shoji. ʻO nā pale shoji pani e hāʻawi ana i ka mālamalama palupalu, a ʻo nā pale hāmama e hoʻokehua ana i ka ʻāina mauna e puni ana.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Keleawe
Ua lanakila ka hoʻolālā Yatsugatake Villa Hale Waihoʻoluʻu i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Yatsugatake Villa Hale Waihoʻoluʻu he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Yatsugatake Villa Hale Waihoʻoluʻu i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
- Nā Ana a me ka Hoʻopili
- Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm - Nā Lepili
- Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
- ʻEnehana Hana
- Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
- Pilikia Hoʻolālā
- In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
- Noiʻi
- Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
- Hoʻoulu Manaʻo
- With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
- Ka Lōʻihi o ka Papahana
- The project was completed in Hokuto-City, Yamanashi, Japan in 2012
- Kaʻina Hana
- Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
- Nā Lālā Hui
- Kiyotoshi Mori
Natsuko Kawamura - Nā Kuleana Kiʻi
- Photography: Toshiyuki Yano
Kākoʻo ʻIa
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Nā Hoʻolālā Pili
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