Lele i ka ʻike
Gilak Hale Nani na Davood Salavati

ʻO Gilak Hale Nani na Davood Salavati he mea lanakila hanohano loa o ka 2022 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.


KalaHoʻolālā Hale· 2022

Gilak Hale Nani

na Davood Salavati

Mea Kūʻai: Davood Salavati

Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻolālā Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #130433

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Gilak Hale Nani

ʻO Gilak he hale nani i hoʻolālā ʻia no ke aniau haʻahaʻa o Gilan ma ka ʻākau o Irana. Ua hana ʻia ka nui o ka hale a puni kahi hakahaka waena, e wehe ana ma nā papa a pau mai nā ʻaoʻao ʻehā a ʻae ʻia ke kahe o ka ea a me ka māua e haʻalele i loko. Hoʻopuni kahi alanui i ka hale a pale i ka paʻa ʻana o ka ea. Hoʻomalu nā kepā i hoʻolōʻihi ʻia i ka lā pololei i nā kau wela. ʻOhi nā hale hipuʻu ma nā ʻaoʻao ʻehā i ka wai ua no ka hoʻohana hou ʻana a hāʻawi i kahi ʻili hoʻomau no nā papa photovoltaic. Ke hahai nei ka palapala i kahi ʻano ʻeiwa-huinahā i huki ʻia mai ka hoʻolālā kuʻuna o Irana.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Gilak Hale Nani i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Gilak Hale Nani he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Gilak Hale Nani e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
The main mass of the building is formed around the central axis, which is designed as an integrated void and in all floors, there are openings to it from all four directions, which cause airflow and moisture to escape from inside the building. The surrounding movement path, which exists as a corridor around the building, helps the airflow and prevents air confinement.
The stretch of the gables on the corridors around the building controls the direct sunlight inside the building in hot seasons and prevents the ambient temperature from rising.
Sloping and homogeneous roofs on all four sides of the building can control rainwater and at the end, direct rainwater to a path for collection and reuse. Also, the integrated roof surface provides the ability to use photovoltaic panels.
Radiation, humidity, and airflow control throughout the building are automatic with minimal consumption of non-renewable energy.
Nā Ana a me ka Hoʻopili
It's a concept design.
Nā Lepili
Gilak Villa, climatic architecture, traditional building
Noiʻi
The climatic architecture of traditional buildings in their evolution can be the best source of inspiration and underlie today's architectural ideas. Tribal trial and error in diverse lands have created a great civilization in housing and along with intellectual maturity in the field of civil engineering and architecture, has reached the ability to largely control the annoying and harmful factors. With the knowledge that humidity, wind, radiation, et in addition to being able to eliminate basic needs. If they are out of comfort range, they are more or less irritating. The original Iranian architecture in different climatic regions has achieved very significant indigenous and sustainable answers that have sometimes been forgotten due to the modern way of life.
Nowadays, the extreme consumption of unsustainable energies of human society has caused many problems and obstacles sustainable indigenous techniques that have been using traditional technologies and integrating them with original and efficient geometries, have provided very appropriate answers in their time and are the best option to help architectural design today.
In our project, an attempt has been made to use the climatic techniques of temperate and humid regions in Iran; which control humidity, wind, radiation and bring the standard of living closer to the comfort range. These items work best in the form of a nine-square geometric technique and are based on the geometry of Iranian architecture and Iranian carpets.
The main mass of the building is formed around the central axis, which is designed as an integrated void and in all floors, there are openings to it from all four directions, which cause airflow and moisture to escape from inside the building. The surrounding movement path, which exists as a corridor around the building, helps the airflow and prevents air confinement.
The stretch of the gables on the corridors around the building controls the direct sunlight inside the building in hot seasons and prevents the ambient temperature from rising.
Sloping and homogeneous roofs on all four sides of the building can control rainwater and at the end, direct rainwater to a path for collection and reuse. Also, the integrated roof surface provides the ability to use photovoltaic panels.
Radiation, humidity, and airflow control throughout the building are automatic with minimal consumption of non-renewable energy.
Hoʻoulu Manaʻo
The climatic architecture of traditional buildings in their evolution can be the best source of inspiration and underlie today's architectural ideas. Tribal trial and error in diverse lands have created a great civilization in housing and along with intellectual maturity in the field of civil engineering and architecture, has reached the ability to largely control the annoying and harmful factors. With the knowledge that humidity, wind, radiation, et in addition to being able to eliminate basic needs. If they are out of comfort range, they are more or less irritating. The original Iranian architecture in different climatic regions has achieved very significant indigenous and sustainable answers that have sometimes been forgotten due to the modern way of life.
Nowadays, the extreme consumption of unsustainable energies of human society has caused many problems and obstacles sustainable indigenous techniques that have been using traditional technologies and integrating them with original and efficient geometries, have provided very appropriate answers in their time and are the best option to help architectural design today.
In our project, an attempt has been made to use the climatic techniques of temperate and humid regions in Iran; which control humidity, wind, radiation and bring the standard of living closer to the comfort range. These items work best in the form of a nine-square geometric technique and are based on the geometry of Iranian architecture and Iranian carpets.
Ka Lōʻihi o ka Papahana
Gilak Villa is located in Gilan, a province that is located in the north of Iran and along the southern shores of the Caspian Sea its prominent features are humidity and heavy rainfall.
In this region, the trend of expansion is based on climatic priorities and from the south, east, west, and then in height. The combination of these factors, along with the extroversion factor, has led to the creation of a unique architecture that can be considered as the main reason for its formation. In general, extroversion with a sloping roof is a special feature of the architecture of this area. In this architecture, there is no clear boundary between inside and outside, and semi-open spaces and transparent layers of the house combine the inside and outside space. The transparency and semi-openness of the outer layers of the building, the effect of weather conditions such as sun, wind, rain, etc. as well as summer and winter on the lives of residents and their connection with nature as much as possible.
Nā Lālā Hui
Davood Salavati
Amirali Sharifi
Nazli Azarkhsh.

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ʻO ka A' Design Award he makana hoʻomaikaʻi honua, i hoʻoholo ʻia e nā luna, no ka hoʻolālā maikaʻi. E komo i ka A' Design Award e loaʻa ai ka manawa e ʻike ʻia ai kou hana ma ke ʻano kūpono, a e loaʻa ai ka kaulana, ka hanohano a me ka hoʻolaha no kāu hana. E koho inoa i kāu hana no ka A' Design Award a e hoʻokūkū no ka makana A' Design Prize i makemake nui ʻia.

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