Lele i ka ʻike
Weaving Wood Pahu na ZKW Studio

ʻO Weaving Wood Pahu na ZKW Studio he mea lanakila hanohano loa o ka 2025 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.


KeleaweLako Hale· 2025

Weaving Wood Pahu

na ZKW Studio

Mea Kūʻai: ZKW Studio

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale

13,586

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #172721

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Weaving Wood Pahu

ʻO ka Pahu Lāʻau Ulana he pahu lāʻau walnut ʻano kāpeku me nā papa ʻākau ʻekolu i hana ʻia mai ka lole ʻili lāʻau walnut i ulana ʻia. Loli ka māmā o ka ulana ma ka ʻili, e hana ana i kahi hiʻohiʻona mālie o ka ʻano. ʻO kēia hana lima, ʻaʻole hiki ke hana ʻia me ka mīkini, hoʻohui pū i ka paʻa o ke kūkulu lāʻau me ka nāwali o ka lole. Ke hōʻea ʻia e ka lā, hana ka ʻili i nā aka papaʻi, a ʻo ke kūlike ʻana o ka ʻaʻa lāʻau e kōkua ana i kahi kuʻina ʻike paʻa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Weaving Wood Pahu i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Weaving Wood Pahu he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Weaving Wood Pahu i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
This piece of furniture employs a unique weaving technique that integrates walnut veneer into textile, transforming the originally fabric into a unique screen. When exposed to sunlight, the woven surface casts delicate and beautiful shadows. Weaving veneer into textile is a unique technique that machines are not capable of doing. Each wooden board undergoes a meticulous selection based on its grain and color, building a consistent sense of nature beauty.
Nā Ana a me ka Hoʻopili
W * D * H : 508 * 304 * 1118 mm
Nā Lepili
Cabinet, Veneer Textile, Furniture, Material Innovation, Indoor Furniture
ʻEnehana Hana
This cabinet is entirely handcrafted from walnut, including the textile panels on both sides, which are woven from a combination of cotton thread and walnut veneer. The technique of integrating wood veneer into textile weaving is a process that cannot be replicated by machines. Due to the hardness and thickness of the walnut veneer, the tension of the weave must be carefully and continuously adjusted—tight enough to securely hold the veneer strips in place, yet flexible enough to maintain structural integrity without causing displacement.
Pilikia Hoʻolālā
The project posed creative and technical challenges, particularly in adapting thick wood veneer for weaving. Wood veneer lacks the tension typically required by a loom and thread fabric, making it necessary to carefully calculate the spacing between each column to maintain a good structure. Beyond the textile, the frame designed to hold the textile became another big technical challenge. Though the grooves are invisible from the outside, there are 28 hidden channels that secure the woven surface in place. Due to their seamless requirement and the thinness of each wooden board, cutting precise grooves along narrow edges proved fine-tuned craftsmanship, merging material research with construction precision.
Noiʻi
The project is rooted in a deep investigation of materials and making techniques, centering on a textile innovation that integrates thin walnut veneer into a woven structure using a loom. The process involved extensive experimentation, beginning with a series of prototypes that tested veneer thicknesses, thread weights, and weaving patterns. A key challenge was preserving the tension necessary for weaving while accommodating the rigidity of wood—an issue resolved through careful calibration of spacing, tension, and structural support.

Traditional weaving tools were adapted for this process, with each strip of veneer hand-cut and softened for flexibility before being woven alongside cotton thread. Machines proved incompatible with the delicacy and precision required, making the technique entirely dependent on manual craftsmanship. The final textile achieves both strength and fluidity, allowing the wood grain to appear continuous across a pliable surface.

In parallel with material research, the project draws on classical furniture forms—particularly the trapezoidal cabinet, a shape now rare in contemporary contexts. Reinterpreted through this new textile language, the form is both familiar and reimagined, merging historic references with a distinctly modern sensibility.
Hoʻoulu Manaʻo
Inspired by the balanced spirit of nature, this cabinet reinterprets a classic trapezoidal form with three side panels composed of walnut veneer textile. The veneer is woven more densely near the frame, creating a visual and tactile gradient , not only in the viewing but also in the tactile experience. By blending rigid walnut with flexible textile, the piece explores harmony through material, offering a unique sensory experience that invites closer interaction and touch.
Ka Lōʻihi o ka Papahana
The project started in October 2023 and finished in March 2024 in United States, and was exhibited in ICFF WANTED in May 2024.
Kaʻina Hana
The cabinet features a slender profile suited for storing small objects, making it well-suited to living spaces and compact interiors. Its low height allows it to sit neatly beside a television, serving as a functional storage piece. Designed to be freestanding, the cabinet reveals its tactile quality when illuminated. Sunlight filtering through the woven textile creates a soft interplay of light and shadow. The pale-toned fabric responds gently to natural light, introducing a sense of airy and a renewed lightness to the surrounding space.
Nā Lālā Hui
Textile Partner: Huining Liu

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