Classic Pākaukau Kākau na Wei Jingye and Wang Ziyu

ʻO Classic Pākaukau Kākau na Wei Jingye and Wang Ziyu he mea lanakila hanohano loa o ka 2020 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KalaLako Hale· 2020

Classic Pākaukau Kākau

na Wei Jingye and Wang Ziyu

Mea Kūʻai: Lu Xun Academy of Fine Arts

Mea Lanakila A' Design Award Kala ma ka Māhele Lako Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #80105

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Classic Pākaukau Kākau

He pākaukau kākau ʻo Classic i hoʻolālā ʻia ma ke ʻano Pākē hou. Ke hoʻololi nei ka hoʻolālā i ke ʻano pākaukau piko kiʻekiʻe o nā lako hale kuʻuna Pākē, kahi e hōʻemi ai nā piko kiʻekiʻe ʻelua i ke kūlana o ka hāʻule ʻana o nā ʻōwili a me nā mea ʻē aʻe mai ka ʻili aku. Ua hana ʻia ka pākaukau me ka lāʻau ʻoka ʻulaʻula, a ʻo ke kila hoʻoheheʻe ʻia ka mea e hoʻokumu ai i nā pili ma waena o ka ʻili pākaukau, ka noho a me nā wāwae. Hoʻohui kekahi haka haʻahaʻa i wahi mālama waiwai. Ua hana ʻia nā ʻāpana metala ma o ka hana mīkini i hoʻokele ʻia e ke kamepiula, a ua hoʻopau lima ʻia nā ʻāpana pio. Hoʻohana ka ʻili pākaukau i ke ʻano hoʻopili papa kuʻuna Pākē.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Classic Pākaukau Kākau i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Classic Pākaukau Kākau he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Classic Pākaukau Kākau e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: In the design of this writing desk, combining the traditional Han dynasty writing desk with the Modern Metal Style, using red oak and the iron art, which not only has the classical charm of China, but also does not lose the modern sense of simplicity and succinctness, applying Chinese style to minimalism, is a bold attempt. With the charm of Chinese style furniture, meanwhile, it meets the needs of the stability of the furniture, traditional curved design adds a touch of dexterity.
Nā Ana a me ka Hoʻopili: 1420mm x 780mm x 780mm, 650mm x 450mm x 450mm, The shape of the metal part is realized by using modern NC technology, and the curved part of a metal part is shaped by hand by artisans, and the wooden part is shaped by machine cutting and grinding, the desk top uses the Chinese tradition the door plate type splicing technology, the Manual splicing completes the entire production process of the desk.
Nā Lepili: Writing desk, Chinese element, Iron art, Red oak, Simplicity
ʻEnehana Hana: The manufacturing process used modern CNC technology, solidworks software design, and CNC milling machine to achieve the form, some special forms are still made by traditional hand, the metal part and the solid wood part both have quite a part made by the artisan own hands, which embodies the spirit of ingenuity, and the importance of traditional craftsmanship. For modern life, it is still a valuable asset, some of the delicate structure still can not be replaced by machines.
Pilikia Hoʻolālā: How to combine the new Chinese elements with the metal elements and the simple wind to show the functional comfort and the rationality of material use is the biggest challenge of this design. The second is the connection problem between the metal and the tabletop and legs as well as the chair face and legs.
Noiʻi: In the traditional Chinese style furniture, the QiaoAn image is applied to the whole set of desks and chairs, and this image is used in the design, first, in order to perfectly embody the Chinese style elements in this set of furniture, therefore, I chose this image which can represent Chinese style office furniture. The other is that users can have a good user experience. The furniture is a combination of Red Oak and cast iron design, it is the second innovation to the new Chinese furniture.
Hoʻoulu Manaʻo: The overall design inspiration comes from the traditional Chinese furniture in the QiaoAn image. In ancient times, calligraphy and painting only mounted into a shaft, in order to prevent the painting falling, the initial image of the case, one is practical, the second is aesthetic. Using this image is to let the user have a good user experience while writing and painting to facilitate the placement of items as well as prevent items from falling.
Ka Lōʻihi o ka Papahana: The design project began in January 2019 in Shenyang, was completed in June 2019, and was exhibited in the art museum of Shenyang Lu Xun Academy of Fine Arts in June 2019.
Kaʻina Hana: When you sit on a chair working, the desk and chair in contact with the body having a small inclined surface, so that you do not feel pressured. Painting scroll pile up on the desk, because of its two-end QiaoAn image, will reduce the chance of falling. The lower part of the writing desk has a shelf similar to the lnterlayer, which not only adds utility, but also adds beauty to the product.
Nā Lālā Hui: Wei Jingye
Wang Ziyu
Cheng Hong
Zhang Yuxiao
Zhang Wenyang