Medieval Rethink ʻo Ke Kikowaena Moʻomeheu Rethink na QUAD studio

ʻO Medieval Rethink ʻo Ke Kikowaena Moʻomeheu Rethink na QUAD studio he mea lanakila hanohano loa o ka 2020 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KalaHoʻolālā Hale· 2020

Medieval Rethink ʻo Ke Kikowaena Moʻomeheu Rethink

na QUAD studio

Mea Kūʻai: QUAD studio

Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻolālā Hale

50,921

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #98029

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Medieval Rethink ʻo Ke Kikowaena Moʻomeheu Rethink

ʻO ka Medieval Rethink kahi pane i kahi kōmike pilikino e kūkulu i kahi kikowaena Cultural no kahi kauhale liʻiliʻi i kuhi ʻia i ka mokuʻo Guangdong, a hoʻi i 900 mau makahiki i ka Song Dynasty. Kahi ʻia ka hale kūʻai ʻehā, 7000 mau mika sqm a puni ka pōhaku kiʻi kahiko i ʻike ʻia ʻo ka Ding Qi Stone, he hōʻailona o ke kumu o ke kauhale. Hoʻokumu ʻia ka hoʻolālā ʻana o ka hana ma ka hōʻike ʻana i ka mōʻaukala a me ka moʻomeheu o ke kauāʻāina kahiko e pili ana i ka mea kahiko a me ka mea hou. ʻO ke kūleʻa Cultural Center e kū ana ma ke ʻano he kahakaha hou ʻana o ke kauhale kahiko a me kahi hoʻololi i ke ʻano hanaʻenehana hou.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Medieval Rethink ʻo Ke Kikowaena Moʻomeheu Rethink i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Medieval Rethink ʻo Ke Kikowaena Moʻomeheu Rethink he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Medieval Rethink ʻo Ke Kikowaena Moʻomeheu Rethink e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The cultural centre becomes the new destination for villagers to congregate and to socially interact. Here, opportunities arise to great a truly cultural contemporary icon inspired by a historical monument that links old and new.
We make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Nā Ana a me ka Hoʻopili: Approx. 7000 square metre GFA
Nā Lepili: cultural centre, abstraction, guangdong, songdynasty, dingqistone
ʻEnehana Hana: Firstly, designers break down the village into components of Positive and Negative space. Defining functions as objects and stitching these objects together to natural courtyards of green space.
They make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Pilikia Hoʻolālā: Cultural Differences - The cultural centre was designed for the villagers as their space for social interaction. To design the centre, designers had to meet with the villagers and discuss their personal needs for this project. Apart from understanding their culture, the main difficulties come in syphering all their needs and wants information into a design. Only when one to understand their culture can then try to rethink the whole idea of what a cultural centre means to the villager.

The Abstraction – Abstracting the village into the design took a lot of patience and work so that the final design truly depicts the chosen narrative. By stripping off the facade, a picture like frame is left behind. What it does is it focuses audience's eye towards the objects within the frame. If one to superimpose an image of the medieval village in the frame, a framed skyline of the medieval village appears. Abstraction occurs when the skyline is then pixelated. Using dark and light shades of pixels, designers generate an abstraction with a notion of depth. Abstraction creates a shading device and multi layering of the facade together with the objects inside the cultural centre creates a rich composition depicting a visual depth beyond the facade.
Recreating the village – Ultimately, to create a place that will enhance the lives of the villagers. Creating a narrative for the cultural centre not only help the design collective to create a very special place, it is also an attempt to capture an emotional response for any individual visiting the place. The medieval village has already manifested itself in the planning of the functional objects, the facade and also in the internal public realm.
Noiʻi: The design team has gone through a thorough research on the context and the history of the Zhu Pu Village, the study has become a very influential part on building a narrative on the project and later being represented through the design of the spaces.
Exploration of the existing village - Walking around the village, inspired by the scale and how man and nature exist in harmony. Beautifully preserved, the village of Zhu Pu dates to the Song dynasty. With its organic concentric planning, it relates itself to many medieval Chinese urban planning principles.
Hoʻoulu Manaʻo: Medieval Rethink was an opportunity to recreate a medieval environment in a contemporary cultural setting. The narrative and design approach of the cultural centre has been extensively explored previously. Located in the norther province of Guangdong, this Contemporary Cultural Centre will not only showcase the history culture of the 900-year-old village, it will also function as a cultural exhibition centre and will attract thousands of visitors from all over the region.
Ka Lōʻihi o ka Papahana: The project started in August 2017 in an undisclosed Village in Fujian, China.
Kaʻina Hana: As the ground floor is an active floor with many active functions and visitor, the cultural centre is designed to free up the ground plane as much as possible to allow for pedestrian traffic.
Nā Lālā Hui: Wai Tang
Kelvin Chu
Landy Liu
Wesley Fung
Samuel Tam
Nā Kuleana Kiʻi: Image #1, Pictury
Image #2, Submarina
Image #3, SAN CG
Image #4, SAN CG
Image #5 SAN CG