Haragana Rooj Zaum So los ntawm Tobias Kappeler

Qhov qauv tsim Haragana Rooj Zaum So los ntawm Tobias Kappeler yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Tooj hauv Pawg Sib Tw Tsim Rooj Tog.

ToojRooj Tog· 2022

Haragana Rooj Zaum So

los ntawm Tobias Kappeler

Tus Neeg Siv: Tobias Kappeler Design

Tus Yeej A' Design Award Tooj hauv Pawg Rooj Tog

21,620

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #127610

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Haragana Rooj Zaum So

Haragana yog ib lub rooj zaum so uas tsim los ntawm cov raj hlau ntse thiab cov npib qhwv nplooj ntoo cork. Lub rooj zaum raug txo kom tshuav tsuas yog nws cov qauv tseem ceeb xwb, yog li tsis siv cov ntaub qhwv lossis cushions. Cov duab ntawd zoo li lub rooj zaum tsev tuaj tswv, txawm hais tias tsis muaj qhov chaw tso caj npab los xij. Qhov chaw zaum qeeb 28 centimeters cia neeg tso lawv sab qaum rov qab thiab saib ncig lawv ib puag ncig ntev dua. Lub qauv qhib ua rau lub rooj zaum saib mus zoo li sib, thiab pab kom nws haum rau hauv chaw nyob yam tsis txhawj txog kev nyiam ntau dhau. Cov npib cork yooj yim ua rau muaj kev sib txawv nrog cov qauv raj hlau ntse. Txhua lub rooj zaum yog neeg siv tes ntse, nrhiav, thiab thaub kom nkim.

Qhov Lees Paub

Txog A' Design Award Tooj

Haragana Rooj Zaum So yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Haragana Rooj Zaum So xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Haragana Rooj Zaum So ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
Qhov Loj & Ntim: The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
Cov Ntsiab Lus: Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
Thev Naus Laus Zis Tsim Khoom: The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
Kev Sib Tw Tsim Qauv: The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
Kev Tshawb Fawb: The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
Kev Txhawb Siab: We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests.
Lub Sij Hawm Ua Hauj Lwm: The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
Txheej Txheem Ua Hauj Lwm: Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
Cov Tswv Cuab Pab: Tobias Kappeler