Rinn Kyoto Miyagawasuji Hitotose Aki Kev Tsim Qauv Sab Hauv Tsev So los ntawm Miki Orihara

Qhov qauv tsim Rinn Kyoto Miyagawasuji Hitotose Aki Kev Tsim Qauv Sab Hauv Tsev So los ntawm Miki Orihara yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

NyiajSab Hauv· 2025

Rinn Kyoto Miyagawasuji Hitotose Aki Kev Tsim Qauv Sab Hauv Tsev So

los ntawm Miki Orihara

Tus Neeg Siv: Rinn Kyoto Miyagawasuji Hitotose Aki

Tus Yeej A' Design Award Nyiaj hauv Pawg Sab Hauv

16,739

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #170630

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Rinn Kyoto Miyagawasuji Hitotose Aki Kev Tsim Qauv Sab Hauv Tsev So

Rinn Kyoto Miyagawasuji Hitotose Aki yog ib qho kev tsim qauv sab hauv tsev so uas nyob rau ntawm Miyagawa-suji, uas yog ib txoj kev hauv Kyoto uas tseem khaws cia tus qauv kev ib puag ncig raws li keeb kwm. Qhov kev tsim qauv no ua raws li cov cai nruj hauv zos hais txog cov xim, cov duab thiab cov qauv ntawm tej vaj tsev. Txoj kev npaj teeb pom kev coj cov qhua los ntawm qhov teeb tsaus tsawv ntawm lub qhov rooj mus rau cov chav uas pom kev ntau dua, thiab cov teeb ci tsis ncaj (indirect lighting) ua rau pom cov nqaim ntawm cov phab ntsa. Daim ntawv washi uas ua nrog ib tug kws ua ntawv hauv zos raug siv rau ntau txoj hauv kev, xws li kev kho nrog kakishibu, kev ntswj koyori thiab kev tso ib txheej zuj zus fukuro-bari. Lub hom phiaj yog ib qho chaw nyob ntsiag to thiab sov siab kom nyob tau xis nyob.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Rinn Kyoto Miyagawasuji Hitotose Aki Kev Tsim Qauv Sab Hauv Tsev So yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Rinn Kyoto Miyagawasuji Hitotose Aki Kev Tsim Qauv Sab Hauv Tsev So xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Rinn Kyoto Miyagawasuji Hitotose Aki Kev Tsim Qauv Sab Hauv Tsev So yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This facility is located on Miyagawa-suji and features a design that emphasizes harmony with its surroundings. The lighting plan makes full use of materials and cooperation with a local washi paper artist has been designed with local production for local consumption in mind. Kakishibu washi paper and the koyori technique are used to add shading, aiming to create a facility with concern and warmth in the traditional streetscape.
Qhov Loj & Ntim: Although Japanese paper is used extensively, it is expressed in a variety of ways. Japanese paper mixed with clay and colored Japanese paper plus plastering, kakishibu, which has been used since ancient times for its antiseptic and water-repellent properties koyori, in which Japanese paper is picked up and twisted by hand fukuro-bari, in which the surface is covered to seal the cavity, and furthermore, lighting is installed in the cavity.
Cov Ntsiab Lus: Interior Design, Hotel Luxury, Living space, Guesthouse, Asia , Japan
Thev Naus Laus Zis Tsim Khoom: Kyoto has strict regulations in place to protect its traditional landscape, and the colors, shapes and designs of buildings must conform to a prescribed style. We have actively worked to comply with these regulations, incorporating external lighting into the interior of the first floor without any sense of incongruity, and creating a “stillness” and “movement” atmosphere on the second floor, created by Kyoto artisans.
Kev Sib Tw Tsim Qauv: While overcoming the strict landscape regulations, how can we create a new style without destroying the good image that many people have of Kyoto's machiya? We also carefully considered what kind of measures would be needed to ensure that guests would be comfortable in the hot summers and cold winters.
Kev Tshawb Fawb: We held discussions with the Japanese paper artists about colors and construction methods, and solved the problem in a variety of ways. We also reread works such as Junichiro Tanizaki's In Praise of Shadows, E. Oryong's The Shrinking Japanese Mind and Bruno Taut's Nippon and summarized our way of thinking.
Kev Txhawb Siab: The space has been created to reflect the Japanese aesthetics of drawing in, with the intention of capturing the atmosphere of Miyagawa-cho, Kyoto, inside the room. To change from the dim light upon arrival at the inn to the brightness of the interior, the lighting is based on Junichiro Tanizaki's In ei Raisan. In the guest rooms, indirect lighting is used to accentuate the texture of the walls, and the materials and lighting are carefully selected.
Lub Sij Hawm Ua Hauj Lwm: 605-0801 4-297-10 Miyagawasuji Higashiyama-ku Kyoto city
Completed on October 26, 2023.
Txheej Txheem Ua Hauj Lwm: Design plays an important role in shaping cities. I also think it has a role to play in passing on culture to the next generation. I hope this book will be a chance for many people to learn about the importance of design.
Cov Tswv Cuab Pab: Lead Designer : Miki Orihara
Interior Designer : Mao Namikawa
Graphic Designer : Kei Sakai
Washi paper-making artist : Wataru Hatano
Kev Qhuas Duab: Main Image / Toshihide Kajiwara
Image #1 / Toshihide Kajiwara
Image #2 / Toshihide Kajiwara
Image #3 / Toshihide Kajiwara
Image #4 / Toshihide Kajiwara