Vitrine Delumini Dej Num Tseem Ceeb: Kev Nthuav Qhia los ntawm Thiago Mondini

Qhov qauv tsim Vitrine Delumini Dej Num Tseem Ceeb: Kev Nthuav Qhia los ntawm Thiago Mondini yog tus yeej muaj nqis heev ntawm qhov khoom plig 2026 A' Design Award Tooj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

ToojSab Hauv· 2026

Vitrine Delumini Dej Num Tseem Ceeb: Kev Nthuav Qhia

los ntawm Thiago Mondini

Tus Neeg Siv: Thiago Mondini Arquitetura

Tus Yeej A' Design Award Tooj hauv Pawg Sab Hauv

6,946

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #180516

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Vitrine Delumini Dej Num Tseem Ceeb: Kev Nthuav Qhia

Cov Ntawv Phau Ntawv: Nov yog ib qho kev nthuav qhia rooj tog hauv ib lub khw loj hauv Brazil. Muaj ntau qhov chaw tau tsim los txhawb kom pom txhua yam khoom, txawm yog xim ntsuab lossis yooj yim. Cov khoom tshwj xeeb raug muab tso rau hauv qhov chaw xim liab tsaus (burgundy) ntawm lub khw, thaum cov khoom siv yooj yim, tsis muaj xim ntau, raug muab tso rau hauv qhov chaw xim dawb ntawm lub khw. Tseem muaj qhov chaw thib peb, uas muaj xim tsaus dua, uas nthuav tawm cov rooj tog thiab khoom siv xim tsaus dua.

Qhov Lees Paub

Txog A' Design Award Tooj

Vitrine Delumini Dej Num Tseem Ceeb: Kev Nthuav Qhia yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Vitrine Delumini Dej Num Tseem Ceeb: Kev Nthuav Qhia xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Vitrine Delumini Dej Num Tseem Ceeb: Kev Nthuav Qhia ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This exhibition presents furniture within a large-scale store in Brazil, organized to enhance the perception of each product. Distinct zones were created to emphasize their character: the burgundy area showcases special, standout pieces; the white section features neutral, versatile products; and a third, darker-toned space highlights furniture and items with deeper hues, providing a carefully curated and visually coherent presentation.
Qhov Loj & Ntim: 585 square meters
Cov Ntsiab Lus: interior, interior design, store, commercial, furniture, brazil, brazilian, brasil, contemporary, color, burgundy, ecletic
Thev Naus Laus Zis Tsim Khoom: The design focused on highlighting each product through distinct spatial environments. Rich burgundy walls were chosen to intensify colors and create striking contrasts, while white walls provide a neutral backdrop that emphasizes the form and details of the furniture. The process combined careful color studies, material selection, and spatial composition to ensure each piece stands out without visual conflict, creating a balanced and immersive exhibition experience.
Kev Sib Tw Tsim Qauv: The greatest challenge was the limited time available to complete the project, which demanded rapid yet careful decision-making. Equally complex was working with the existing product stock while creating a visually coherent and engaging exhibition. Internally, the design had to respect aesthetic and social expectations for a modern retail experience, while externally, constraints included production limitations, material availability, and the need to adapt to the store’s physical layout and technical possibilities.
Kev Tshawb Fawb: Research was design-focused, exploring how spatial environments affect product perception. Objectives were to highlight furniture through color and context while creating an engaging visitor experience. Methodology included spatial analysis, color studies, and material testing. Data was collected via mock-ups, material samples, and staff/visitor feedback. Participants included store staff and visitors. Results showed distinct zones improved product visibility and appreciation. Insights revealed that environmental contrast enhances perception, impacting retail display strategies, visitor engagement, and design thinking in commercial spaces.
Kev Txhawb Siab: A vibrant furniture display, intentionally departing from the typical white and minimal commercial interiors, designed to engage and inspire both clients and industry professionals.
Lub Sij Hawm Ua Hauj Lwm: The project started in July 2025 and finished in August 2025, in Balneario Camboriu, Brazil.
Txheej Txheem Ua Hauj Lwm: Interaction is guided by the store’s spatial layout. Visitors naturally move through four distinct zones: the burgundy area highlights vibrant pieces, the white zone emphasizes neutral forms, the rear space showcases lighting, and the upper dark area presents deeper-toned furniture. Each transition frames products in contrast-rich environments, enhancing perception and engagement, allowing visitors to appreciate color, form, and material more clearly than in a conventional display.
Cov Tswv Cuab Pab: Architect: Thiago Mondini
Kev Qhuas Duab: Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso
Image #4: Photographer ArqVerso
Image #5: Photographer ArqVerso