Movie Boxed Kanpay Piblisite pa Shaoyang Chen

Dizayn Movie Boxed Kanpay Piblisite pa Shaoyang Chen se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2023 A' Design Award Bwonz nan Kategori Konpetisyon Piblisite.

BwonzPiblisite· 2023

Movie Boxed Kanpay Piblisite

pa Shaoyang Chen

Kliyan: AyDaDa

Gayan A' Design Award Bwonz nan Kategori Piblisite

32,739

Gayan Pri Verifye

Verifye Estati Pri pou #146280

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Movie Boxed Kanpay Piblisite

Movie Boxed se yon kanpay piblisite ki te kreye pou premyè fim Boxed la. Kanpay la pote metafò bwat la nan chak aplikasyon. Sekans tit la, jenerik final la, yon afich, yon tikè, yon paspò pou laprès, yon braslè ak yon afich stop-motion pou otobis swiv yon sèl lide. Tipografi a byen ranje nan fòm bwat rijid, ki gen ladan menm siy ponktyasyon yo. Yon polis karaktè istorik ki kondanse e epè matche ak koulè vintaj fim nan. Braslè ki fè sonje minòt yo bay odyans lan nan antre sal pwojeksyon an.

Rekonesans lan

Konsènan A' Design Award Bwonz

Movie Boxed Kanpay Piblisite se yon ganyan A' Design Award Bwonz, yon rekonesans ki gen anpil prestij yo bay design ekselan ki make pa kreyativite, enjenyozite ak finès. Ganyan Bwonz yo se objè ki abil anpil e ki kreyatif nan fason ki frape, ki otantifye gwo eksperyans, imajinasyon ak debouyaj designer yo. Yo atann Movie Boxed Kanpay Piblisite pou se yon objè anpil moun estime, admire e renmen, ki pwofesyonèl e inovatè nan fason remakab. Design sa a ki ganyen A' Design Award Bwonz enkòpore pi bon pratik nan atizay, syans, design ak teknoloji, e li ekselan pou atansyon li bay detay. Movie Boxed Kanpay Piblisite satisfè bezwen yon fason espledid, li touche dezi, li chame santiman e li atire kiryozite.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: In this campaign, we aim to bring an immersive experience to the audience at the premiere of the movie Boxed, written and directed by Alam Virk. As we follow the main character, Andy Whiteman, we are forced to confront the reality that we too are often fed with modern culture and trapped in a vacuum of superficial living. Through various mediums, including posters and wristbands with curated copywriting, we seek to reinforce the movie's theme and deepen the audience's understanding of the void state of being portrayed on the screen.
Dimansyon & Anbalaj: 27 x 40 inch Poster, 14 seconds of Title Sequence, 8 seconds of Ending Credits, 6 seconds of Bus Stop Motion Poster, 1 Wristband, 1 Ticket,
Etikèt: Branding, Campaign, Graphic Design
Teknoloji Pwodiksyon: VFX for Title Sequence and End Credits, Poster, Ticket, Press Pass, Wristband, and Motion Graphics for the Trailer and Bus Stop Advertisement
Defi Dizayn: We are faced with the challenge of how to intrigue the audience without telling the full story of the movie.
Rechèch: For the typeface choice, since the movie color plate is quite vintage and the plot is suffocating, I chose a condensed, thick and historical typeface that fits the movie's story.

This campaign also tries to carry the box metaphor throughout. As for the ending credits, most typography layouts are rigid box shapes, including punctuation marks, to emphasize the box concept. Wristbands look similar to handcuffs. And from an architectural standpoint, the screening room is a box made of concrete. To leave more impression on the audience, we also distribute wristbands that say" boxed, aren't we" as they enter the screening room.
Enspirasyon: All applications are reinforcement of the idea of being boxed. For the opening title, the main character rips off the film title. For the ending credits, to emphasize the box concept, most typography layouts are rigid box shapes, including punctuation marks. At the premiere night, the stuff pass is tagged with the slogan we are boxed as the punchline for the event. Waistbands that say boxed, aren't we are distributed as the audience enters the screening room.
Dire Pwojè: This project started in August 2022 and finished in November 1, 2022 in New York, NY.
Fliks Operasyon: Considering this movie is the second film from an award-winning indie director, the whole campaign needs to be tailor-made. The logic of this campaign is to serve the story. Each application speaks to the scene in the movie and emphasizes the box metaphor.
Patant: Copyrights belong to Alam Virk and Shaoyang Chen
Kredi Imaj: Writer and Director / Alam Virk
Executive Producer / Guljar Singh
Produceder / JR Cardona
First Associate Director / Sarab Sahni
Second Associate Director / Vittoria Giacomini
Script Supervisor / Vittoria Giacomini
Production Designer / Ant Ma
Production Design Assistants / Erica Zhang & Shuquing Zhang & Laila Matuk
Director of Photography / Yuanhao Zhang
First Assistant Camera / Ananyaa Dave
Gaffer / Aman Tulsian
Key Grip / Kgositielle Maleka
Best Person / Justin Cambrelen
Production Sound / Trevor Misplay & Daniel DeGeorges
Coloris / Yuanhao Zhang & Sarab Sahni
Editor / Sarab Sahni & Alam Virk
Sound Synching / Reuben Rojak
Sound FX/ Design Sound Mixing & Music / Marlon Fraser
Make-up/Hair / Kelli Hauber