Dizayn Pierre De Ronsard Konsepsyon Enteryè Boulanjri pa Yang Su se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2020 A' Design Award Lò nan Kategori Konpetisyon Enteryè.
LòEnteryè· 2020
Pierre De Ronsard Konsepsyon Enteryè Boulanjri
pa Yang Su
Kliyan: Nonezone Design
Gayan A' Design Award Lò nan Kategori Enteryè
Gayan Pri Verifye
Verifye Estati Pri pou #97726Konsepsyon an
Konsènan Pierre De Ronsard Konsepsyon Enteryè Boulanjri
Pierre De Ronsard se yon enteryè boulanjri ki kouvri 110 mèt kare. Konsepsyon an montre pwosesis kwit pen an ak desè yo nan yon sèl espas komèsyal ouvè. Konsèp prensipal la se yon fwontyè anbigi ant boutik la ak lari enteryè sant komèsyal la. Yon mi koube pèfore ak penti kolè ivwa kanpe toupre antre prensipal la, epi espas ant twou yo chanje piti piti. Fèy metal lamine ak wotè diferan sèvi kòm inite ekspozisyon ak kòm yon enstalasyon entèaktif. Blòk solid ranplase entèfas fiks yo, kidonk anndan ak deyò konekte.
Rekonesans lan
Konsènan A' Design Award Lò
Pierre De Ronsard Konsepsyon Enteryè Boulanjri se yon ganyan A' Design Award Lò, yon rekonesans imans prestijye yo bay design premye klas, mèvèye e eksepsyonèl. Ganyan Lò yo se kreyasyon ki trè inovatè, vizyonè e ki briye ak bèl bagay, ki reflete jeni, sajès ak mèt konpetans designer yo. Yo atann Pierre De Ronsard Konsepsyon Enteryè Boulanjri pou se yon envansyon ki fè anpil lwanj, ki bay tandans e monimantal ki delivre yon valè san parèy. Design sa a ki ganyen A' Design Award Lò se yon pwojè espektakilè, respekte ki pote anpil benefis e ki pouse limit atizay, syans, design ak teknoloji. Pierre De Ronsard Konsepsyon Enteryè Boulanjri kreye santiman dezi ki entans, li reveye pasyon, li ankouraje kreyativite e li fasine nou.
Dèyè Konsepsyon an
Dosye Laprès
Kredi, manm ekip ak detay teknik konseptè a bay.
- Pwopriyete Inik
- As a retail shop mainly for displaying the baking process and desserts, this project is designed to create a spatial feature with the concept, and establish the special atmosphere, so as to extend the possibility of the shop design. The relationship of mutual penetration endows the space with openness to some extent, and connects the internal and external space with the physical dissolution and fusion.
- Dimansyon & Anbalaj
- The project covers a total of 110 square meters.
- Etikèt
- Interior, Commercial, Baking Shop, Boundary, Modern, Elegant, Simple, Intervention
- Teknoloji Pwodiksyon
- The laminated metal sheets with various heights play roles of displaying and interactive installation with customers.
- Defi Dizayn
- One side of the site faces the inner street of the shopping mall, and therefore starting from the thought of the boundary, a block is used to replace the interface, to obtain an ambiguous boundary of space by the minimalist design.
- Rechèch
- As Martin Heidegger said, the boundary is not the stop of something, but the appearance of something new. As the case is located in an inner street facing shopping malls, designers take the boundary thinking as the starting point, replace the interface with body blocks, and blur the boundary of space through subtraction design.
- Enspirasyon
- Pierre de ronsard represents the well-known Eden Rosegem, and also the name of a modern French poet, who was widely spread for his description of human beings with a metaphor of flowers. It is selected for the name of a shop by the owner, as an extension of romantic meaning.
- Dire Pwojè
- The project started in July 2018 in Wuxi and finished in November 2010 in Wuxi.
- Fliks Operasyon
- Centered on the concept of ambiguous boundary, the perforated curved wall with ivory paint near the main entrance responds with the gradually varied spacing of holes.
- Patant
- Copyrights belong to Yang Su, 2018.
- Manm Ekip
- Yang Su
Fengshuai Zhang
Daoxiang Gong
Hai Wang - Kredi Imaj
- Image #1: Photographer Ming Chen, Display Rack, 2018.
Image #2: Photographer Ming Chen, Bar Counter, 2018.
Image #3: Photographer Ming Chen, Seat, 2018.
Image #4: Photographer Ming Chen, Display Rack, 2018.
Image #5: Photographer Ming Chen, Entrance, 2018.
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