Shany Abdallah Naji Seri Karya Seni Grafis oleh Shany Dvora

Karya Shany Abdallah Naji Seri Karya Seni Grafis oleh Shany Dvora adalah pemenang yang sangat dihormati dari 2021 A' Design Award Perak yang sangat bergengsi dalam Kategori Kompetisi Desain Grafis, Ilustrasi dan Komunikasi Visual.

PerakGrafis· 2021

Shany Abdallah Naji Seri Karya Seni Grafis

oleh Shany Dvora

Pemenang A' Design Award Perak dalam Kategori Grafis

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Tentang Shany Abdallah Naji Seri Karya Seni Grafis

Shany Abdallah Naji adalah serangkaian karya grafis yang menghidupkan kembali tradisi penamaan keluarga. Tradisi tersebut, yang berakhir ketika keluarga ini pindah dari Irak ke Israel, memberikan seorang bayi yang baru lahir sebuah nama depan yang diikuti oleh nama ayah dan kakeknya. Seri ini diciptakan setelah ditemukannya dokumen-dokumen imigrasi lama keluarga tersebut. Lima karya media campuran, empat di antaranya berukuran 50 kali 70 sentimeter dan satu berukuran 75 kali 70 sentimeter, menjalin citra visual ke dalam kaligrafi Ibrani yang terinspirasi oleh manuskrip-manuskrip Ibrani dari Irak, Yaman, dan Maroko yang dibuat antara abad ke-12 dan ke-15.

Pengakuan

Tentang A' Design Award Perak

Shany Abdallah Naji Seri Karya Seni Grafis adalah pemenang A' Design Award Perak, pengakuan yang sangat bergengsi yang diberikan kepada desain kelas atas yang indah dan mengesankan. Pemenang Perak adalah karya yang sangat cemerlang dan sangat kreatif yang menggambarkan keahlian, bakat, dan ketajaman luar biasa para desainernya. Shany Abdallah Naji Seri Karya Seni Grafis diharapkan menjadi karya yang menakjubkan, etalase keahlian, sangat profesional, dan sangat inovatif. Desain pemenang A' Design Award Perak ini adalah penemuan yang sangat menonjol dan dikagumi yang bermanfaat bagi dan memajukan batas-batas seni, sains, desain, dan teknologi. Shany Abdallah Naji Seri Karya Seni Grafis adalah kreasi yang sangat dicemburui yang membangkitkan keinginan, membawa perasaan positif, dan memercikkan keheranan dan kekaguman.

Di Balik Desain

Kit Pers

Kredit, anggota tim, dan detail teknis yang disediakan oleh desainer.

Keunikan: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Dimensi & Kemasan: 4 works 50*70 cm
1 work 75*70 cm
Tag: Calligraphy, Typography, Hebrew, Eastern
Teknologi Produksi: Mixed Media
Tantangan Desain: -
Riset: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Inspirasi: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Durasi Proyek: 2018-2019, Israel
Alur Operasi: -
Paten: -
Anggota Tim: -
Kredit Gambar: Shany Dvora