Throbbing Stillness Arịa nke Maru Meleniou

Ihe emepụtara bụ Throbbing Stillness Arịa nke Maru Meleniou bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

BronzNkà Mma· 2022

Throbbing Stillness Arịa

nke Maru Meleniou

Onye Ahịa: Maru Meleniou Ceramic art &design lab

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nkà Mma

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Throbbing Stillness Arịa

Ịda mbà n'obi bụ akụkụ nke usoro ụgbọ mmiri na-enyocha echiche, echiche na ajụjụ dị adị. Ihe mgbagwoju anya nke Throbbing Stillness bụ na kama ọrụ a na-atụ anya ya nke ite ifuru, ọ na-egosi ịdị adị nke oghere nwere ike ịnwe nkwurịta okwu ọzọ na onye na-ekiri ya. Site n'ụdị organic ya ọ na-achịkwa ịgafe nkwụsi ike nke ọkara na o yiri ka ọ na-ama jijiji na ike dị mkpa. Ọdịdị ya na agba ya na-egosipụta echiche dị ka ihe efu, ikike, mgbasawanye.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Throbbing Stillness Arịa meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Throbbing Stillness Arịa ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Throbbing Stillness Arịa na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Throbbing Stillness is not the vessel that flowers will be beautifully arranged in. Throbbing Stillness is a vessel that aims to contain abstract ideas, thoughts and images. A vessel that contemplates the concept of "vessility".
Nha & Mkpuchi: Height 40cm
Mkpado: Sculptural vessel, Naked ceramics, Contemporary Ceramics, Handbuilt ceramics, Raw minimalism, Slow design
Teknụzụ Mmepụta: It is a hand-build ceramic vessel, with the coiling technique, an ancient technique that involves creating forms without a pottery wheel, using the hands, fingers, and simple tools. That way small details, differences imperfections and qualities mirror the honesty of the creative process. A slow almost meditative process that after years of practise creates a unique relationship between artist and medium.
I used stoneware clay and painted it with porcelain slip, glazed and fired at 1220C
Ịma Aka Imepụta: The most challenging part was to work on the piece as much as I would not manipulate clay to the point that it would lose its properties and its own life and substance. To create an object that carries the message powerfully. An object simple in form and yet not simplistic.
Nchọpụta: I am interested in the materiality of my medium and I wish to highlight its raw nature and properties. After practising with a variety of colors and glazes I realised that all this would be a kind of cover up, making it hard for the medium to carry its message. So I decided to move forward with my material being almost naked.
Mkpali: My inspiration comes from the book White by Kenya Hara, Zen Buddhism and the human body.
In the field of ceramics, one creates forms to contain the emptiness. The purpose of a vessel is to hold nothingness within, a purpose greater than its function. White is delicate, fragile and from the moment of its birth it is destined to be “polluted”. My vessel is not trying to be a perfect white, rather it carries a layering, in an attempt to search for a way to feel whiteness.
A vessel, a human heart, a vital organ, or a musical instrument always inhaling/exhaling, pulsating in a space of closeness and familiarity yet distant and unknown. A space out of time, far from personal feelings and agendas that is dedicated to personal contemplation.
Oge Ọrụ: Throbbing Stillness was created in 2020 in Athens, and was exhibited in Milan Design Week 2021 at 1000Vases
Usoro Ọrụ: Human beings are designed to communicate.
We define ourselves through relationships and interactions with our environment, with others, with the objects that surrounds us.
Throbbing Stillness is a unique object that aims to offer a space for connection, an invitation to interact.
Asụsụ Foto: Image No1, No2, No3 No4 Nikos Koustenis
Image No5 Maru Meleniou