Esfahan Ọrịbọ Ndị Ije Ụkwụ nke Mohammad Rahimizadeh and Shaqayeq Nemati

Ihe emepụtara bụ Esfahan Ọrịbọ Ndị Ije Ụkwụ nke Mohammad Rahimizadeh and Shaqayeq Nemati bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2022

Esfahan Ọrịbọ Ndị Ije Ụkwụ

nke Mohammad Rahimizadeh and Shaqayeq Nemati

Onye Ahịa: Kalbod Studio

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Esfahan Ọrịbọ Ndị Ije Ụkwụ

Esfahan bụ ọrịbọ ndị ije ụkwụ e chepụtara maka saịtị dị na Isfahan, Iran. Ọrịbọ a na-ejikọ ụlọ ọrụ azụmahịa teknụzụ na ubi ihe ngosi nkà na omenala, ma na-ejere mahadum ndị dị nso, ụlọ ọrụ nyocha na ụlọ ọrụ mmepụta ihe ozi. Ụlọ ngosi ihe, ogige etiti, na ebe ndị mmadụ na-ezu ike ka edobere n'akụkụ ụzọ ahụ, nke mere ka ọrịbọ a na-arụkwa ọrụ dị ka ohere ọha na eze. Ụdị ya na-akọwapụta ọrịbọ ndị mgbe ochie nke Isfahan, gụnyere ọrịbọ Khajoo. A na-eji nhazi ọnọdụ nkịtị (reflective symmetry) mee ihe, nke mere ka ihu ụlọ ahụ na onyonyo ya n'osimiri ahụ na-akpakọrịta ghọọ otu ụdị zuru oke. Ebe dị n'ime ya nwere mmasị ịgbanwe, ma nwee ike ijikwa ọrụ dị iche iche.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Esfahan Ọrịbọ Ndị Ije Ụkwụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Esfahan Ọrịbọ Ndị Ije Ụkwụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Esfahan Ọrịbọ Ndị Ije Ụkwụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Nha & Mkpuchi: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Mkpado: Technology , bridge , Exhibition , Recreational , tourism , iran
Teknụzụ Mmepụta: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Ịma Aka Imepụta: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Nchọpụta: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Mkpali: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Oge Ọrụ: esfahan - iran
Usoro Ọrụ: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Ndị Otu: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -