The Kaleidoscope Ụlọ Ọrụ na Ụlọ Obibi nke Inrestudio

Ihe emepụtara bụ The Kaleidoscope Ụlọ Ọrụ na Ụlọ Obibi nke Inrestudio bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaọchaỤlọ Owu· 2023

The Kaleidoscope Ụlọ Ọrụ na Ụlọ Obibi

nke Inrestudio

Onye Ahịa: Hoang Long Mineral JSC

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #142543

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Kaleidoscope Ụlọ Ọrụ na Ụlọ Obibi

Kaleidoscope bụ ụlọ ọrụ na ụlọ obibi dị n'ebe a na-arụpụta ihe na etiti Vietnam. Ụlọ a guzoro n'etiti ugwu na oke osimiri, ma na-egosipụta echiche dị iche iche n'akụkụ dị iche iche na n'oge dị iche iche nke ụbọchị. Elu ụlọ ahụ na-agbaso ụdị Non La, okpu ndị ọrụ ugbo Vietnam ọdịnala nke na-egbochi anwụ na mmiri ozuzo ma na-ekwe ka ikuku gafee n'okpuru ya. Mgbidi siri ike dị n'ụdị V na-emepụta ọnụ ụlọ nzuzo nwere akụkụ atọ na oghere ndị a na-ekekọrịta buru ibu n'etiti ha. Blọk kọnkịrị arụpụtara arụpụta nwere oghere emere maka ya kpọmkwem na-enye nzuzo na ikuku sitere n'okike.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

The Kaleidoscope Ụlọ Ọrụ na Ụlọ Obibi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na The Kaleidoscope Ụlọ Ọrụ na Ụlọ Obibi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The Kaleidoscope Ụlọ Ọrụ na Ụlọ Obibi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The Kaleidoscope is the living and working building located at a factory site in central Vietnam. The surrounding region is well known for its severe climate: a hot wind blows in the dry season and typhoons and floods during the rainy season. The building is placed between the hill and the sea, and frames a series of diverse (kaleidoscopic) views in directions and times. The project aims at creating a protected space from the harsh tropical climate, and enhancing the user’s contact with nature.
Nha & Mkpuchi: The roof plan fits into a 32,330mm diameter circle, while the building measures 15,250mm high.
Major specifications are listed below.
Roof: trowel-finished mortar
Ceiling: exposed concrete (public spaces) / paint (private rooms)
Exterior wall: trowel-finished mortar, fiber-reinforced concrete block
Interior wall: stucco (public spaces), paint (private rooms)
Exterior floor: terrazzo (2F) / washout concrete (1F)
Interior floor: solid wood, terrazzo (public spaces) / ceramic tile (private rooms)
Mkpado: Vietnamese architecture, tropical architecture, rural architecture, concrete architecture, sustainable architecture, office building, residential building, open building, passive energy, non la
Teknụzụ Mmepụta: Perforated ventilation blocks are common building elements in tropical regions to moderate environmental factors. Custom precast ventilation blocks compose the outer surfaces of the solid volumes to provide privacy to the inner rooms. These fiber-reinforced concrete blocks have larger dimensions (500 x 500mm) than usual (200 x 200mm), and match the grand scale of the surrounding backdrop. The hollow precast blocks were interlocked on site by pouring concrete into their cavities.
Ịma Aka Imepụta: The project was realized after a 5-year long process in an outlying region of Vietnam. The construction was carried out by a mixed team of experienced builders from Saigon, the largest city in Vietnam, and local barely experienced farmer-builders. The process was characterized by numerous moments of deliberate procedures and impromptu solutions, contributing to the evolution of the local workmanship and offering a window into the potential of rural construction.
Nchọpụta: In Vietnam, there are many office buildings that only import the style of modern office buildings but fail to adapt it to the local climate. These buildings apply large glass surfaces on their flat facade and, as is often the case, office workers close the blinds throughout working hours to block the strong sunlight. The Kaleidoscope is one of a series of projects called Tropical Office Projects, which aims at discovering location-specific design languages for modern office buildings.
Mkpali: The characteristic roof of the building inherits the idea of Non La, a Vietnamese traditional farmer’s hat made of palm leaf, that a large conical surface shuts out sunlight and rain while allowing for the wind underneath. In order to enhance the natural ventilation, solid walls are arranged perpendicularly to the roof periphery. These form a series of V-shapes to cut out triangular private rooms while defining a large in-between space that is used for the public functions.
Oge Ọrụ: The project design was started in 2017 in Saigon and the construction was completed in 2022 in Quang Binh, Vietnam.
Usoro Ọrụ: Located in a remote area, the building provides both living and working spaces for the users. Under a single roof, various functions of the building are organized by seven triangular volumes that defines private and common spaces. The inside of the volumes accommodates closed functions such as bedrooms and private offices, while the space between the volumes holds gathering functions such as the central office and parlors.
Ndị Otu: Nguyen Quynh Han
Vo Hanh Nhan
Asụsụ Foto: #1: Photographer Hiroyuki Oki, non-title, 2022
#2: Photographer Hiroyuki Oki, non-title, 2022
#3: Photographer Hiroyuki Oki, non-title, 2022
#4: Photographer Hiroyuki Oki, non-title, 2022
#5: Photographer Hiroyuki Oki, non-title, 2022