Silhouette Oche Iri Nri nke Joana Santos Barbosa

Ihe emepụtara bụ Silhouette Oche Iri Nri nke Joana Santos Barbosa bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ngwá Ụlọ.

IgweNgwá Ụlọ· 2024

Silhouette Oche Iri Nri

nke Joana Santos Barbosa

Onye Ahịa: InsidherLand

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ngwá Ụlọ

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Agba

Nhazi a

Maka Silhouette Oche Iri Nri

Nke Architect Joana Santos Barbosa haziri, Silhouette bụ oche iri nri na-adọrọ anya nke na-echetara okirikiri ahụ mara mma nke nwanyị. N'ịbụ onye ndị nka narị afọ nke iri abụọ metụtara, ndị sere ọtụtụ eziokwu dị iche iche n'otu dimension, dịka ndị na-egwu egwu nwere ngwa egwu dịka akụkụ nke ahụ ha, Joana tinyere njedekọ a n'ime nhazi mara mma dị ịtụnanya. Nhazi ojii ahụ na-egosi mmegharị úkwù nwanyị nọdụrụ ala n'ihe ahụ, ebe oche gbagọrọ agbagọ na-ese ọnụ ọchị na-akpọ òkù. Silhouette na-ebu akụkọ na ihe atụ ma na-adọrọ mmụọ n'ezie.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Silhouette Oche Iri Nri meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Silhouette Oche Iri Nri ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Silhouette Oche Iri Nri maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Silhouette is a surreal reminiscence of a woman's sensual curves that arise designed in an eye catching dining chair.
The slightly curved seat draws an inviting smile that harmonizes with the structure, revealing the movement of the hips, as parts of a female body. Silhouette shows contours of a mysterious profile and presents the observer with feminine sensuality.
Nha & Mkpuchi: Height 87cm
Width 46cm
Depth 53cm
Seat Height 48cm
Mkpado: diningchair, chair, silhouette, luxurychair, organicdesign, modernchair, moderndesign, luxuryfurniture
Teknụzụ Mmepụta: Beech wood structure frame with translucent dark brown finish in high gloss varnish and luxury soft fabric with gold accents.
Ịma Aka Imepụta: The creative process of this chair was one of the most "suffered" among the pieces in Joana Santos Barbosa's portfolio. In fact, the design of this chair took more than two years to be completed between back and forth in the process because it carries such a strong symbolism that she wanted to transform it into a clean and sensual design.
The beech wood structure was hand crafted and carved to bring to mind the profile of a female body and was given a translucent brown finish that naturally stands out on the soft beige upholstery with fine golden threads that represent the delicacy of the female personality.
Nchọpụta: The design of the Silhouette dining chair was influenced by the sensuality of a woman's curves. Both the woman and the functional object seem to merge naturally. It is thus possible to admire this integration in the surrounding perspectives of the chair, with special focus on the back, in which we identify parts of a body that seem to be living in the object.

The creative process was based on some works by twentieth century painters who applied the same technique of representing people and objects in a single dimension. However, working on the design of the chair in three dimensions, its development was carried out in full-scale prototypes, in order to get a functional and sensual final design that conveyed all its inspiration in an elegant look.
Mkpali: The representation of several realities seen simultaneously from a single point of view has become fascinating for several twentieth century artists like Paul Klee who drawn musicians and fragments of their musical instruments as an integral part of their own bodies.
The joint dimension of people and objects strongly influenced the Silhouette dining chair, whose elegant wooden structure uncovers parts of a woman’s body who sits on it.
Oge Ọrụ: Since the first sketch, the design took more than two years to be fully developed. The production is entirely made in the city of Porto, located in the north of Portugal.
Usoro Ọrụ: Being a chair made of a single structure in solid wood, the object cannot be manipulated to acquire other forms. This chair was specially designed for dining spaces that appreciate the high quality of manual manufacturing processes and luxurious finishes.