Essence of Time Ọrụ Bụ́ Isi: Nhazi Ime Ụlọ Obibi nke Tzu-Jou Chou

Ihe emepụtara bụ Essence of Time Ọrụ Bụ́ Isi: Nhazi Ime Ụlọ Obibi nke Tzu-Jou Chou bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2024

Essence of Time Ọrụ Bụ́ Isi: Nhazi Ime Ụlọ Obibi

nke Tzu-Jou Chou

Onye Ahịa: Studio One

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #153046

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Essence of Time Ọrụ Bụ́ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: Essence of Time bụ nhazi ime ụlọ obibi maka apaatment nke dị mita square 40 na Obodo Taipei. Atụmatụ a nwere ọnụ ụzọ mbata, ebe obibi, ebe iri nri, ọnụ ụlọ ihi ụra abụọ, ọnụ ụlọ ịsa ahụ otu na kichin. Ewepụrụ mgbidi ndị na-adịghị mkpa iji meepụta oghere, e mekwaara mgbidi na ala mineral ka ha bụrụ agba nzuzo-inyinya ọcha nke mineral paint. Otu mgbidi gbagọrọ agbagọ na-ekewapụta ọnụ ụzọ mbata site n'ebe dabere na ya ma bụrụ ihe na-adọrọ anya n'anya. Usoro kabinet osisi na-enye ohere nchekwa ihe. Usoro agba a na-adịghị agbanwe agbanwe yana ọdịdị dị iche iche na-agbaso ụdị Japandi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Essence of Time Ọrụ Bụ́ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Essence of Time Ọrụ Bụ́ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Essence of Time Ọrụ Bụ́ Isi: Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The project was tailored by introducing sophisticated forms and monochrome scheme with textured materials. Designer aims to maximize the space by only using crucial design elements to achieve its spaciousness and visual aesthetic.

The curve wall defines boundary between foyer and its adjoin area meanwhile also serve as a visual focal point. The functional side of storage was achieved by a sequence of wood detailing cabinet, it also represent a sense of rational harmony towards the space.
Nha & Mkpuchi: The area of this project is 40 square meters, which contains foyer, living area,dinning area, two bedrooms, one bathrooms and kitchen.
Mkpado: Interior Design, Interiors, Residential, Design, Minimalism, Contemporary, Japandi
Teknụzụ Mmepụta: In order to achieve the openness and cohesiveness within the space, designer removed unnecessary architectural wall and applied white-grey mineral paint onto walls and mineral flooring. Designer also introduced the curve form for foyer as area divider and also serves as a media to soften the space. A space was created with minimum materials yet with varied texture expressions throughout time and its interaction with natural light. A space with timeless style but it varied by time.
Ịma Aka Imepụta: The challenge was to maximizing spaciousness towards a small-scale space. In order to achieve that and create a timeless space, the cohesiveness and harmony within the space is the vital concern during design process. Designer applies monochrome earthy scheme yet with varied material texture, all aims to achieve the concept of aesthetic lies in simplicity.
Nchọpụta: a)How to maximize the space-
In order to maximize the space with more possibilities and flexibilities, designer needs to rearrange the architectural walls at its best. Prior to do that, designer needs to decide the area for each zone based on analyzing owner’s life habit.

b)How the materials were selected-
Materials were selected based on its natural traits and texture. For the wood and white-gray mineral paint, designer keeps its wood grain and artisan’s touchup, both provides abundant material expression under monochrome scheme.
Mkpali: The design inspiration was derived from the concept of Japandi style. Designer aims to focus on applying original materials to approach the concept with sophisticated contour line. A space was created with minimum materials yet with varied texture expressions throughout time and its interaction with natural light. A space with timeless style but it varied by time. The design goal is to provide different perspective or perception towards space itself, and discovering the true aesthetic value.
Oge Ọrụ: The project started in Jan. 2022 and finished in May 2022 in Taipei City, Taiwan.
Usoro Ọrụ: The project was tailored by introducing sophisticated forms and monochrome scheme with textured materials. Designer aims to maximize the space by only using crucial design elements to achieve its spaciousness and visual aesthetic. The curve wall defines boundary between foyer and its adjoin area meanwhile also serve as a visual focal point. The functional side of storage was achieved by a sequence of wood detailing cabinet, it also represent a sense of rational harmony towards the space.
A space with timeless style but it varied by time. The design goal is to provide different perspective or perception towards space itself, and discovering the true aesthetic value and essence of being.
Asụsụ Foto: Photographer：MD Pursuit