Endless Succession Ọrụ Nka Ọha na Eze nke Jin Ying Yei Tao Pottery Ltd

Ihe emepụtara bụ Endless Succession Ọrụ Nka Ọha na Eze nke Jin Ying Yei Tao Pottery Ltd bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

BronzNkà Mma· 2024

Endless Succession Ọrụ Nka Ọha na Eze

nke Jin Ying Yei Tao Pottery Ltd

Onye Ahịa: Jin Ying Yei Tao Pottery Ltd

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nkà Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #153111

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Endless Succession Ọrụ Nka Ọha na Eze

Endless Succession bụ ihe akara ala e ji ụrọ (ceramic) mee, nke a manyere n'ọnụ ụzọ mbata Ebe Ntụrụndụ Ọhịa Mba Neidong na Taiwan. Ụdịdị ya yiri nọmba asatọ guzo ọtọ, na-egosipụta akara "infinity" (ọ na-adịgide adịgide), ma na-echetara mmadụ ihu mmiri Xinxian dabara na ụdị parabola. Ihe owuwu a, nke ikuku na-agafe agafe, na-arụ ọrụ dịka ọnụ ụzọ ígwè nke na-eduba ndị njem n'ime ọhịa. N'elu ya, agba akwụkwọ ndụ (green) na-ebugharị akara omenala Atayal ndị nke uhie na oji, tinyekwara oyiyi e sere n'usoro (relief carvings) nke ụmụ anụ ndị obodo ahụ, gụnyere urukurubụba, nnụnụ na frog osisi. A na-esupu ụrọ na agba (glaze) n'ọkụ karịrị Digrị Celsius 1,200, na-eme ka ọrụ e ji aka rụọ nwee ike iguzogide ihu igwe, ka agba ya ghara ịchafu, ma dịrị mfe imetụ aka na nchekwa.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Endless Succession Ọrụ Nka Ọha na Eze meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Endless Succession Ọrụ Nka Ọha na Eze ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Endless Succession Ọrụ Nka Ọha na Eze na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The landmark epitomizes the diversity of local ecology. The permeable design is like an archway that leads visitors into the Forest Recreation Area surrounded by nature.
The shape of the work resembles an upright figure 8 of 'infinity'. Located on the wooden trestle at the entrance of the Neidong National Forest Recreation Area, it is green in color with red and black totems. When one gets closer, there are carves of common species in the area. The extremely realistic animal and plant totems on the column are not only photographed but also sculpted by experienced masters.
Nha & Mkpuchi: The height of the work is about 450cm, and the width of the space occupied is about 250cm.
This is the first time for the team to create such a huge landmark. The clay was stacked up to a height of 450cm by climbing a ladder and then carved with realistic butterflies, birds, tree frogs, and other patterns from top to bottom. Then, the clay is cut into sections and kiln-dried, and finally assembled. The entire landmark is handmade.
Mixing the glazes is also an important part of the work, as uneven proportions will affect the color rendering.
Mkpado: Wulai, Neidong Waterfall, Neidong, Atayal, ceramics, Installation Art, Sightseeing Landmark.
Teknụzụ Mmepụta: Both the clay and the glaze of this work have been hardened at a high temperature of more than 1,200 degrees Celsius. The minerals and metals contained in the clay have been melted and transformed into stable substances. Its high hardness makes it safe and colorfast when exposed to the sun and wind or in contact with human skin. Unlike ordinary ceramics with a melting point of less than 1,000 degrees, which are susceptible to heavy metals, 'Endless Succession' allows the public to appreciate and touch the relief sculptures from a close distance.
Ịma Aka Imepụta: Pottery requires long hours of handmade work, and humidity control was the first and foremost challenge. To maintain the humidity of the large clay, it must be constantly watered or wrapped in canvas.
Furthermore, to present the curves smoothly, it was necessary for the person leading the work to watch from the bottom and direct the masters executing the work from the top. Therefore, the masters who lead and execute the work need to have a certain tacit understanding and great patience. Each person's interpretation of the aesthetic presentation often required communication and discussion.
Nchọpụta: Typhoon Soudelor in 2015 damaged many facilities in the Forest Recreation Area. The Forest Recreation Area then replacement of old equipment, and improvement of the landscape. At that time, there was no distinctive entrance to the park. To create and emphasize the distinctive landscape of the Forest Recreation Area, the team integrated the local environment and created a landmark with aesthetics and consistency at its core. The artwork presents imagery of the Xinxian Waterfall and the diversity of the park's species, as well as showcasing the local Atayal culture.
Mkpali: The authorities wanted to create an entrance landmark with natural ecological imagery. Planned to visualize the beauty of the Xinxian Waterfall, presenting the special features of the landscape with the graceful parabola of the waterfall as it cascades down from the top of the mountain. The static and dynamic nature of the waterfall incorporates the common species found in Neidong and is intertwined with Atayal totems, symbolizing the inseparable integration with the environment. The overall shape also implies the meaning of the 'infinity' symbol, which symbolizes the everlasting ecology and richness of culture.
Oge Ọrụ: The project finished in August 2018 in Taiwan.
Usoro Ọrụ: As the old saying goes, 'It could be admired from a distance but not be tampered with up close and personal.', this is the public's established impression of ceramic art. The work is scratch-resistant, non-toxic, weather-resistant, and colorfast, encouraging the public to interact with it and take photos to experience a different way of presenting 'pottery'. The design team has shown the intimate side of clay to a wider audience. The artwork combines the humanity and ecological elements of Neidong, realizing the depth and beauty of the place and localizing the artwork.
Ndị Otu: Jin Ying Yei Tao Pottery Ltd
Asụsụ Foto: Jin Ying Yei Tao Pottery Ltd