Crossing Walls Ụlọ Obibi, Ụlọ Ọrụ nke Satoshi Fujinaka

Ihe emepụtara bụ Crossing Walls Ụlọ Obibi, Ụlọ Ọrụ nke Satoshi Fujinaka bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2026

Crossing Walls Ụlọ Obibi, Ụlọ Ọrụ

nke Satoshi Fujinaka

Onye Ahịa: Daijiro Yoshihara

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #174571

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Crossing Walls Ụlọ Obibi, Ụlọ Ọrụ

Crossing Walls bụ ụlọ jikọtara ụlọ ọrụ n'ala nke dị n'okpuru na ebe obibi n'elu ụlọ. Mgbidi atọ nwere ọdịdị L kewara ma jikọọ onwe ha, e gbawakwara ọdịdị cube iji mepụta oghere mepere emepe na ndị mechiri emechi. Mgbidi ndị a na-enwe mmekọrịta dị mma na gburugburu ebe ahụ, na-ekwe ka ìhè na ikuku bata ma na-echekwa nzuzo. A haziri ọnọdụ windo iji chịkwaa ìhè anyanwụ, ibu okpomọkụ na anya n'èzí. Oghere mepere emepe nke chere ihu na mbara igwe na-ejikọ ime ụlọ na èzí. Nhazi ụlọ ahụ na-agbaso usoro iwu ụlọ osisi ọdịnala ndị Japan na grid nke millimeter 910, nke na-echekwa ihe eji arụ ụlọ ma hapụ ya ka a hụ ya anya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Crossing Walls Ụlọ Obibi, Ụlọ Ọrụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Crossing Walls Ụlọ Obibi, Ụlọ Ọrụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Crossing Walls Ụlọ Obibi, Ụlọ Ọrụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: We will try to solve the problem by manipulating the wall so that the office on the first floor and the life on the second floor, communication and privacy, can be compatible with each other.
The cube is disassembled and the three L shaped walls separate and intertwine with each other.
These three L shaped walls manipulate the open and closed spaces and maintain a moderate relationship with their surroundings.
Light and wind enter the building and begin to vaguely connect it to the outside.
Nha & Mkpuchi: wooden Site area 176.34㎡ Total Floor area 138.37㎡ The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Mkpado: House , Oficce , Japan , Walls , Wood
Teknụzụ Mmepụta: The building uses a standard Japanese wooden structure with a span of 910 mm.
Most building materials in Japan follow this module, resulting in significant material and energy savings.
The wooden structure is shown in a cosmetic manner to pursue beauty and rationality.
Ịma Aka Imepụta: While keeping the space needed by the client within a limited area and budget,
While considering the position of sunlight and adjusting the position of windows to control the heat load,
The window arrangement is planned to control the external line of sight and to create an ambiguous connection with the outside.
Nchọpụta: The research for this project is divided into two themes.
The first is a study of how to maximize the natural environment and required space on a limited site area.
The second is to consider total cost management and cost management of each material within a limited budget.
How to solve these two themes in architecture is both an interesting and difficult challenge.
Mkpali: The planned site is a borderline location where new places and old places mix.
By opening the walls to the outside, the office tried to create appropriate and diverse relationships to maintain the community and revitalize the city.
The living space blends with the exterior space through the gaps in the walls while ensuring privacy and bringing light into the interior.
And by creating a void to the sky, the entire building breathes and releases its spirit to the sky.
Oge Ọrụ: Design began in Hiroshima in 2022 and construction was completed in December 2024.
Usoro Ọrụ: This building was planned as a boundary between the newly developed environment in the newly rezoned area and the old shopping area, where the old and the new mix.
The project was planned to solve the problem of how to realize an architecture that allows people to feel close to nature while ensuring privacy, while reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself in such a location.
Ndị Otu: Satoshi Fujinaka
Asụsụ Foto: Photo , Kenji Masunaga