Art Omi Deconstructive Utopia Ụlọ Ngosi Nka Nhazi nke Daria Yang Du

Ihe emepụtara bụ Art Omi Deconstructive Utopia Ụlọ Ngosi Nka Nhazi nke Daria Yang Du bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaọchaỤlọ Owu· 2026

Art Omi Deconstructive Utopia Ụlọ Ngosi Nka Nhazi

nke Daria Yang Du

Onye Ahịa: DD Studio

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ụlọ Owu

23,338

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #176619

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Art Omi Deconstructive Utopia Ụlọ Ngosi Nka Nhazi

Art Omi Deconstructive Utopia bụ ụlọ ngosi nka nhazi na ụlọ ihe ngosi dị na Hudson Valley, nke ruru ihe dịka square feet 12000. E ji nnyocha mbelata balloon kpụzie okpokoro kọnkịrị ahụ gbagọrọ agbagọ, ma jiri fọmwọk e ji CNC gbupụta wụsa ya iji nweta ọgbagọ ziri ezi. N'etiti ya, e chekwara oghere yiri okirikiri dịka ebe ihe ngosi bụ isi na ọnụ ụzọ mbata ọha. Otu ụzọ si n'ọdịda anyanwụ ruo n'ọwụwa anyanwụ, ebe ụlọ ọrụ aka dị n'akụkụ abụọ ya ma kwụsị n'ọdọ mmiri ahụ. Ụlọ ọrụ ndị kwụbara n'elu na-eji okpokoro ígwè dị mfe nke e ji osisi kpuchie. Mbadamba osisi na-ekpo ọkụ machara ime ụlọ ndị ahụ ma na-eme ka ụda dịkwuo mma.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Art Omi Deconstructive Utopia Ụlọ Ngosi Nka Nhazi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Art Omi Deconstructive Utopia Ụlọ Ngosi Nka Nhazi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Art Omi Deconstructive Utopia Ụlọ Ngosi Nka Nhazi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Beginned by an experimental process of morsal-folly finding process to explore form and movement, the Art Omi Design Gallery reinterprets kinetic gestures into architectural space. The design transitions from a linear system of tensioned strings to a centralized spherical volume, carved out and preserved as the main exhibition space and public entrance. This void becomes the anchor of spatial experience, emphasizing a fluid internal circulation that guides visitors across the site.
Nha & Mkpuchi: Size: 12000ft²
Mkpado: Balloon Experiment, Yarn Grid, Deflation Studies, Form-Finding, Curved Concrete, Spatial Void, Floating Studios, Circulation Path, Cultural Landmark, Landscape Integration, Lightness and Memory, Architecture and Movement
Teknụzụ Mmepụta: The gallery is built as a curved concrete shell shaped by balloon deflation studies, using CNC-milled formwork for precise curvature. Warm timber panels line the interiors, enhancing acoustics and contrast with the concrete mass. Suspended studios use lightweight steel frames clad in wood, appearing to float above. Foundations integrate with the lakeside landscape, anchoring the structure while respecting natural topography.
Ịma Aka Imepụta: The challenge was translating a fleeting balloon-and-yarn experiment into a permanent architectural system. Capturing the dynamic shift from expansion to deflation required rethinking geometry, circulation, and structure. Preserving the spherical void while adapting the shifting yarn grid into concrete and timber demanded both technical precision and conceptual clarity, turning ephemeral gestures into a coherent, inhabitable cultural landmark.
Nchọpụta: Each material guided form-finding through its properties. In balloon and yarn experiments, expansion and contraction revealed new spatial opportunities. Placed on flat topography, the balloon’s center aligned with a yarn grid, creating a cloud-like form. Strings attached to it defined smooth paths connecting to the ground. When deflated, shifting strings generated a new landscape, inviting people to walk, sit, lie, and interact with the folly as structure.
Mkpali: Inspired by balloon inflation and deflation studies, the design shifts from a linear system to a central spherical void, preserved as the main exhibition and entrance. A pivoting path extends west to east, flanked by workshops and ending at the lake. Suspended studios echo floating forms, while a curving concrete shell recalls string grids. Warm wood interiors contrast the monolithic frame, guiding visitors through a dynamic spatial journey.
Oge Ọrụ: Art Omi in Hudson Valley
Usoro Ọrụ: Individual Work
Asụsụ Foto: All Design & Illustration & Drawing & Physical Model by Daria Yang DU