Ihe emepụtara bụ Soli Oche nke João Demele bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2026

Soli Oche

nke João Demele

Onye Ahịa: Morada Decor

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

7,727

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #176791

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Soli Oche

Soli bụ oche e mere maka ịnọdụ ala kwa ụbọchị. Nhazi ya na-eme ka ergonomics, ịdị mfe n'anya na izi ezi nke nhazi dịrị n'otu. Ihe nhazi osisi siri ike ka e ji osisi Jequitiba nke a kụghachiri n'ụzọ kwesịrị ekwesị mee, nke nwere mgbanwe dị nro na nke na-aga n'ihu n'etiti ụkwụ, ebe ịnọdụ ala na ebe azụ. Ebe azụ ahụ gbagọrọ agbagọ ka e ji akpụkpọ anụ kpuchie, ọ na-eduzikwa ọnọdụ ahụ n'enweghị ngwaọrụ mgbanwe ọ bụla. Mgbagọ ndị kwekọrọ n'ahụ mmadụ na foam na-arụ ọrụ nke ọma na-enye ntụsara ahụ. Ịkwa osisi n'ụzọ ụlọ ọrụ mmepụta ihe na-ahụ na izi ezi dị, ebe imecha ejiri aka nke a na-achịkwa na-echekwa iguzosi ike nke ihe eji arụ ya na ịdịgide ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Soli Oche meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Soli Oche ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Soli Oche na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The chair explores the balance between ergonomics visual lightness and structural precision resulting in a contemporary piece with sculptural presence. Its solid wood structure features smooth and continuous transitions between legs seat and backrest highlighting craftsmanship and technical mastery. The curved leather upholstered backrest gently supports the body while precise stitching and hand finishing reinforce material integrity and the uniqueness of each piece.
Nha & Mkpuchi: Width: 560 mm x Depth: 600 mm x Height: 840 mm. Height Seat: 460 mm.
Mkpado: Wooden chair, Sustainable design, Ergonomic chair, Contemporary furniture, Organic curves, Eco-friendly materials, Brazilian Furniture, Brazilian Culture.
Teknụzụ Mmepụta: The chair production is guided by sustainability and industrial efficiency. It uses responsibly sourced reforested Jequitiba wood and components designed to reduce waste throughout manufacturing. The seat incorporates curves that adapt to human anatomy combined with high performance foam for comfort and support. Industrial machining ensures precision and repeatability while controlled manual finishing preserves material integrity and durability.
Ịma Aka Imepụta: The main challenge was balancing ergonomics and form. Developing a continuous curved backrest capable of adapting to different bodies required extensive research, testing, and fine adjustments. Manufacturing the wooden structure demanded high technical precision to achieve organic forms and smooth transitions without compromising structural strength. Integrating wood and leather also required careful detailing to ensure durability, comfort, and consistent aesthetic quality in potential scaled production.
Nchọpụta: This design project was developed through research into sustainable materials applied to contemporary furniture, combined with an understanding of function as an adaptive element responsive to different bodies and contexts. The design process integrated hand sketching, 3D modeling, and full-scale prototyping to refine form, structure, and ergonomics, particularly the backrest curvature. The combination of wood and leather references Brazilian modern furniture, positioning craftsmanship as the conceptual core of the object.
Mkpali: The Soli chair inspire by a synthesis of form, identity, and materiality. Its design is structured as a continuous gesture, in which seat and backrest are unified through a single curve. Each curvature is carefully dimensioned to accommodate diverse body types, reflecting the plurality of Brazilian culture. Inspired by traditional wooden furniture and natural elements such as branches and animal horns, the combination of wood and leather emphasizes material honesty, lightness, stability, and tactile comfort, enhancing the users sensorial experience.
Oge Ọrụ: The Soli chair was developed through close collaboration between designer and manufacturer with the objective of creating a chair that intuitively adapts to the human body. Completed in 2025 the project followed a rigorous development process with multiple prototypes ergonomic adjustments and formal refinements. The result is a contemporary chair that balances comfort aesthetic identity and production feasibility reflecting research collaboration and care in its creation.
Usoro Ọrụ: The chair works as a single, continuous gesture. The seat supports the body, while the curved backrest approaches like an embrace, intuitively guiding posture. There are no adjustments or mechanisms: comfort comes directly from the form itself, which naturally adapts to different body types. The wooden structure sustains this movement with lightness and stability, transforming the act of sitting into a natural, welcoming, and efficient everyday experience.
Patentị: Unspecified
Ndị Otu: João Demele – Designer

Juliano Schmidt and Rafael Schmidt – Project approval
Juliano Schmidt and Luiz Eduardo Bossardi – Execution and prototyping
Asụsụ Foto: Images developed by designer João Demele.