Changing Perspectives Ọrụ Bụ isi: Edemede Gburugburu Ebe nke Haley Tebo

Ihe emepụtara bụ Changing Perspectives Ọrụ Bụ isi: Edemede Gburugburu Ebe nke Haley Tebo bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Eserese, Ịse Ihe na Nkwurịta Anya.

BronzEserese· 2020

Changing Perspectives Ọrụ Bụ isi: Edemede Gburugburu Ebe

nke Haley Tebo

Onye Ahịa: Haley Tebo

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Eserese

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #87839

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Changing Perspectives Ọrụ Bụ isi: Edemede Gburugburu Ebe

Ndebanye Akwụkwọ: Changing Perspectives bụ ihe nrụnye edemede gburugburu ebe (environmental typography) e mere maka mpempe iko nke ụlọ nka mahadum. Ọdịdị mkpụrụedemede ndị a e bipụtara site na vinyl frọstịd, ma dozie ha n'ahịrị ka ha bụrụ ozi a pụrụ ịgụ mgbe ndị mmadụ na-agafe ije ije. A pụrụ ịgụ ozi ahụ site n'akụkụ ọ bụla, n'ihi ya, ndị na-ele ya anya na-akwụsị ma na-agagharị iji mezuo ọgụgụ ederede ahụ. Otu mkpụrụedemede ọ bụla dị ihe dị ka otu ruo abụọ ụkwụ n'ogologo, dabere n'ebe ọ dị anya site n'onye na-ele ya anya. Ìhè na-agafe na mpempe iko ndị ahụ na-emegharị ọdịdị mkpụrụedemede ahụ dị ka onyinyo na ndọtụ ìhè. Ihe nrụnye a na-akpọ ndị mmadụ gburugburu kampụs ka ha jikọọ aka na edemede a.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Changing Perspectives Ọrụ Bụ isi: Edemede Gburugburu Ebe meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Changing Perspectives Ọrụ Bụ isi: Edemede Gburugburu Ebe ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Changing Perspectives Ọrụ Bụ isi: Edemede Gburugburu Ebe na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This interactive installation compels the viewer to move in such a way to view the piece differently. As people walk by, the shapes align to form a message, which can be read walking from either direction. Installed on an art building at a university, the piece can be viewed from inside the gallery or across campus and draw people to it. The lighting also reflects the shapes of the typography in the form of shadows and reflections.
Nha & Mkpuchi: Each letter of the design is approximately 1-2 feet tall, varying with distance from the viewer.
Mkpado: Environmental typography, interaction design, user experience, typography, graphic design,
Teknụzụ Mmepụta: Adobe software was used to create slides that were then projected onto the building. The projector was placed on a ladder at eye-height so it would be convenient for onlookers walking by to read. The shapes were traced with china marker then covered with frosted vinyl and cut out.
Ịma Aka Imepụta: After choosing an approved concept, we addressed the installation process. We could digitally cut out the letters, but they might not align correctly, or we could project it so the alignment was perfect, but would have to cut them by hand. After taping up a to-scale proof of the estimated warp we decided to project the letters because they did not align in the proof. The projection then needed to be done at night and required ladders, multiple extension cords, and for the fountain to be drained.
Nchọpụta: Researching existing projects inspired aspects of this design but also allowed it to be unique. Scouting local areas to find an optimal environment for the typography, we chose to install on campus for convenience and because of having a strong concept for the space, which included a well thought-out quote that could be read from either direction. The area was measured so a digital mockup could be done to scale. The design was very well received as people complimented it as it was being installed.
Mkpali: Inspired by environmental typography installations that use perspective in a way that the words can only be read from one spot, we wanted to bring this somewhere where a lot of people could interact with typography. We were inspired by the potential we saw in the fountain in front of the our university's art building and the vertical glass panels above it. We used the dimensions of these panels to inform the choice of Helvetica Condensed and people walking from both directions to choose the quote.
Oge Ọrụ: Research for this project started in late April 2019. Installation lasted for two weeks in May 2019.
Usoro Ọrụ: This installation is unique because it is put into movement as the viewer walks by, compelling them to pause and align themselves with the piece in order to read it. The space builds anticipation as the viewer must move themselves to read the next half of the message. The typography tells a story that parallels the environment it is in, achieving mutual enhancement of the design and the environment.
Ndị Otu: Angeli Leong
Asụsụ Foto: Image #1 : Professor Wade Lough, 2019
Image #2 : Professor Wade Lough, 2019
Video Credits : Angeli Leong
Quote used is by Wayne Dyer