Fengqi Chang’an Aesthetics Museum Ụlọ Ngosi Ihe nke Lu Hao and Chen Jian - GOA

Ihe emepụtara bụ Fengqi Chang’an Aesthetics Museum Ụlọ Ngosi Ihe nke Lu Hao and Chen Jian - GOA bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaedoỤlọ Owu· 2020

Fengqi Chang’an Aesthetics Museum Ụlọ Ngosi Ihe

nke Lu Hao and Chen Jian - GOA

Onye Ahịa: GOA (Group of Architects）

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #88320

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Fengqi Chang’an Aesthetics Museum Ụlọ Ngosi Ihe

Fengqi Chang'an Aesthetics Museum bụ ụlọ ngosi ihe dị na Chang'an, China. Nhazi ya sitere n'ike mmụọ nke okike, ubi omenala ndị China na eserese ndịda odida anyanwụ. A jikọtara mpaghara ọrụ dị iche iche na ogige na mbara ihu ụlọ iji mepụta oghere ubi na-aga n'ihu ma na-agbanwe agbanwe. Ogige ọ bụla nwere ebumnuche ya, dị ka ngosi, nkwurịta okwu, ntụgharị uche ma ọ bụ mmemme, ebe ụzọ mgbagọ dị iche iche na-ejikọ ha ọnụ. Elu enyo, ibo ọnụ ụzọ sara mbara na nnukwu elu ụlọ na-adịpụ adịpụ na-emepụta usoro nhazi dabara adaba. Ụlọ ahụ kpuchiri mita skwea 6,400 n'elu saịtị mita skwea 16,000.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Fengqi Chang’an Aesthetics Museum Ụlọ Ngosi Ihe meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Fengqi Chang’an Aesthetics Museum Ụlọ Ngosi Ihe ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Fengqi Chang’an Aesthetics Museum Ụlọ Ngosi Ihe na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Through the combo of different sizes of functional forms, architects combine various courtyards and inlay the elements of verandas to create a continuous, flexible and rich garden space.Besides of the usage for exhibition, the building takes the experience of visitors in the garden into account. The courtyards are set up according to various functions, including the ones for display, communication, meditation, activities and etc., which are blended with each other through crisscrossed corridors
Nha & Mkpuchi: the project is with a building scale of 6,400 square meters and an area of 16,000 square meters
Mkpado: nature, gentle, traditional courtyards, visiting experience, large size of overhanging eave
Teknụzụ Mmepụta: Extensive application of glass, large span of door leaf and large size of overhanging eave blend together, forming a continuous and orderly frame.
With well-proportioned shapes, volumes of different sizes and orderly layout, the building meets various functional demands.
Ịma Aka Imepụta: This project is located in Yanta District of Xi’an, China, which is an ancient capital with a time-honored history and rich cultural heritage. The purpose of the design is to integrate the building into a modern living space and activity function on the premise of respecting the traditional garden spatial relationship.
Nchọpụta: Inspired by nature, traditional Chinese gardens and landscape paintings focus on mountains, forests, wind and water with flexible layout, as well as characteristics such as the reality and unreality, opening and closing, twists and turns, high and low, etc.. Through the combo of different sizes of functional forms, architects combine various courtyards and inlay the elements of verandas to create a continuous, flexible and rich garden space.
Mkpali: This project is inspired by nature, traditional Chinese gardens and landscape paintings focus on mountains, forests, wind and water with flexible layout, as well as characteristics such as the reality and unreality, opening and closing, twists and turns, high and low, etc..
Oge Ọrụ: The project started design in April 2019 in Chang'an in China, and wished to be finished in 2021.
Usoro Ọrụ: Besides of the usage for exhibition, the building also takes the experience of visitors in the garden into account. The courtyards are set up according to various functions, including the ones for display, communication, meditation, activities and etc., which are blended with each other through crisscrossed corridors. Extensive application of glass, large span of door leaf and large size of overhanging eave blend together, forming a continuous and orderly frame. With well-proportioned shapes, volumes of different sizes and orderly layout, the building meets various functional demands.
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