Land of Abundance Ụlọ Ọrụ Ahịa nke Tina Sheng

Ihe emepụtara bụ Land of Abundance Ụlọ Ọrụ Ahịa nke Tina Sheng bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaedoIme Ụlọ· 2020

Land of Abundance Ụlọ Ọrụ Ahịa

nke Tina Sheng

Onye Ahịa: Beijing Serendipper Space Design Co.ltd

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Land of Abundance Ụlọ Ọrụ Ahịa

Land of Abundance bụ ụlọ ọrụ ahịa dị na Chengdu City, Sichuan. Ime ụlọ ahụ ruru square mita 1200 ma emechara ya na Julaị 2019. Nhazi a na-eji asụsụ nhazi nke oge a egosipụta mma nke ọdịnala Ọwụwa Anyanwụ Ụwa. Ọnụ ụzọ na-enwu ma dị fechaa ka a na-eji mara mbata, ọ na-ewepụtakwa àgwà nke oghere ahụ dum. Ebe a na-edobe sand table ghere oghe ma sara mbara, ahịrị dị nro na-ekpo ọkụ na-agafekwa n'ime oghere ahụ. E debere nnukwu ọkụ a na-akpọ Beyond the Clouds n'elu sand table ahụ, nke na-enye ndị ọbịa ahụmịhe nka na nke mmekọrịta.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Land of Abundance Ụlọ Ọrụ Ahịa meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Land of Abundance Ụlọ Ọrụ Ahịa ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Land of Abundance Ụlọ Ọrụ Ahịa na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The sales center not only represents the accumulation of regional culture and history, but also gathers the modern trend of thought. Thereby the design unfolds.
As an old saying goes, Like sounds in the air, colors in shapes, the moon in water, images in a mirror, there is an end to the words but not to their message. The follow in the mirror and the moon in the water is a unique Oriental aesthetic.
Nha & Mkpuchi: The property is 1200 square meters.
Mkpado: Sale Center, Panda, Luxury, Interior, Modern, Residential
Teknụzụ Mmepụta: The giant sand table lamp Beyond the Clouds is a perfect match for the sand table on the ground, providing visitors with an artistic and interactive experience. The spatial scale of the sand table area is open and powerful, enabling the warm and smooth lines to flow and shuttle in the space. It is a kind of artistic conception to express the emotion by describing things, and it is a kind of emotional conception to take advantage of a scene to express the emotion. When this natural poetry is integrated into the space shape, it is like a poem that has the power to shock people.
Ịma Aka Imepụta: We hope that concise modern design can add connotation of time to the elegant Oriental style, so as to create a clear, transparent, ethereal, and poetic freedom that that the body and mind can be immersed in the wonderful moment and deeply resonate with it.
The negotiation area borrows the charm of the landscape in Sichuan. Taking time and space as the link, it employs modern Oriental design language in depicting the softness and clarity, and constructs the whole space with modern fashion elements, creating an Oriental context to explore the cultural connotation unable to be copied.
Nchọpụta: As the poem Yunshuiyao goes, “Moving over the water, and along the landscape, I am calm and relaxed watching the scenery on the bank, the bamboo raft drifted gently with the wind.” On the pulsating Jian River, the peonies are in full bloom. “Perchance I come near where a rill would disappear, then I'll sit and watch clouds rise in that clime.” The poetic vitality of human and nature represented by Oriental art is present at this moment.
Mkpali: In the architects memory, Sichuan is a place with picturesque scenery of green hills and clear waters. Multiple cultures influence and permeate each other here, at the same time, she firmly continues her unique cultural heritage. As the poems say, Pengzhou, which has the reputation of little Chengdu, is a wonder of the world, the heart of Sichuan, and the origin of Taoism. Fairy land is a true portrayal of this thousand year old city.
Oge Ọrụ: The project finished on July 2019 in Chengdu City, Sichuan.
Usoro Ọrụ: Based on the logic of Oriental aesthetics, the architect ponders contemporary design language, that is, more modern, more fashionable, more artistic, and more poetic Oriental language.

The entrance, as the starting point of the artistic conception of the whole space, defines the temperament of the whole interior space. A transparent and lightsome door combines the unique poetry and art here, opening a poetic journey about historical inheritance, exquisite skills, and unique creativity for visitors.
Ndị Otu: Director: Tina Sheng