Kinetic Chinese Characters Ọrụ Bụ Isi: Mkpụrụedemede Ndị Na-Akpụ Akpụ nke Li Xinlin

Ihe emepụtara bụ Kinetic Chinese Characters Ọrụ Bụ Isi: Mkpụrụedemede Ndị Na-Akpụ Akpụ nke Li Xinlin bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Mmeputaime, Algọridim, Paramịtrịk na Enyemaka AI.

IgweMmeputaime· 2020

Kinetic Chinese Characters Ọrụ Bụ Isi: Mkpụrụedemede Ndị Na-Akpụ Akpụ

nke Li Xinlin

Onye Ahịa: Li Xinlin

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Mmeputaime

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #96658

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Kinetic Chinese Characters Ọrụ Bụ Isi: Mkpụrụedemede Ndị Na-Akpụ Akpụ

Ederede Akwụkwọ: Kinetic Chinese Characters bụ usoro nke mkpụrụ ọrụ iri na isii nke mkpụrụedemede na-akpụ akpụ, dabere na akụkụ ndị mejupụtara mkpụrụedemede Chinese. Ọrụ ọ bụla nwere isiokwu dị iche iche, e jikwa naanị mmemme kọmputa na algọridim mepụta ya, site na iji Processing. Ịgbakwunye teknụzụ na-emepụta ihe (generative technology) emeela ka usoro oge nke mkpụrụedemede ndị a, nke bụbu nke na-adịghị agbanwe agbanwe, ghọọ ihe na-agbanwe agbanwe, na-emekwa ka nsonaazụ ya bụrụ ihe a na-apụghị ịkọ ama ya tupu oge eruo. Obere edemede nyocha na-eso ọrụ ọ bụla, na-agbaso ọdịnala ala Asia nke iwepụta uri na eserese ọnụ. Usoro a na-egosi otu esi eji nka mkpụrụ ọrụ na-akpụ akpụ tinye n'ọrụ n'ebe mkpụrụedemede Chinese dị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Kinetic Chinese Characters Ọrụ Bụ Isi: Mkpụrụedemede Ndị Na-Akpụ Akpụ meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Kinetic Chinese Characters Ọrụ Bụ Isi: Mkpụrụedemede Ndị Na-Akpụ Akpụ ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Kinetic Chinese Characters Ọrụ Bụ Isi: Mkpụrụedemede Ndị Na-Akpụ Akpụ maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Nha & Mkpuchi: Media & Print matter
Mkpado: Kinetic , Typography , Generative , Chinese Characters
Teknụzụ Mmepụta: Processing and based on openprocessing.org
Ịma Aka Imepụta: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Nchọpụta: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Mkpali: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Oge Ọrụ: 2019, College of Fine Arts, Seoul National University.
Usoro Ọrụ: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Patentị: LI XINLIN
Ndị Otu: LI XINLIN
Asụsụ Foto: LI XINLIN