Ɛeddi ɣer ugbur
Crouching Tiger Hidden Dragon Aḥric n daxel n usensu n usteεfu sɣur He Zhou

Crouching Tiger Hidden Dragon Aḥric n daxel n usensu n usteεfu sɣur He Zhou d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


DdhebAgensu· 2020

Crouching Tiger Hidden Dragon Aḥric n daxel n usensu n usteεfu

sɣur He Zhou

Amsaɣ: Zhou He

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu

18,558

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #103330

Initen

Afeṣṣel

Ɣef Crouching Tiger Hidden Dragon Aḥric n daxel n usensu n usteεfu

Crouching Tiger Hidden Dragon d aḥric n daxel n usensu n usteεfu yellan di Suichang, d taɣiwant yesεan amezruy adelsan aɣezfan. Afeṣṣel yeṭṭef 483 n lmitrat imkuẓen, yerra-d tiẓuriwin d yiɣerbazen iqburen deg ucebbeḥ n daxel, iḥrez ṣṣifa taḥerfit ɣer tama n lehna tatrart. Aɣanim adigan d yimɣan izegzawen cebbḥen tixxamin n yinebgawen, ttmeslayen-d ɣef umeẓẓawru i d-yettbanen si ṭṭwaqi. Sseqdacen aslen aqbur, aceladun d webruk aqdim, ma d lqecc yettwaxdem s wesɣar aqdim i d-yettuɛawden deg temnaḍt, i yettwagezmen tikkelt-nniḍen yerna yettwaṣeqlen s ufus. Asensu-a yettak i yimezdaɣ n temdint amkan n talwit d ugama anda ara zedɣen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Crouching Tiger Hidden Dragon Aḥric n daxel n usensu n usteεfu d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Crouching Tiger Hidden Dragon Aḥric n daxel n usensu n usteεfu ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The overall design integrates artwork and time-honored objects into the interior decorations, retaining the primitive simplicity as well as the functionality and modern style. Local bamboo and green plants are used as natural decorations of the guest room, echoing with the scenery outside the window.
The past is carved into every old beam and column, brick wall, earth wall, and every hand-polished furniture, which, together with idyllic outdoor scenes, manifests an ideal lifestyle.
Tigejdiwin & Akemmus
Project Area: 483 square meter
Tibzimin
The vitalization of village, traditional culture, old elm, handicraft art, Peony Pavilion, celadon, bamboo craft, time-tested materials
Tasnakta n Ufares
Materials: old elm, bamboo, celadon, old brick.
The furniture is made of locally recycled aged wood. Those time-tested materials are reborn after re-cutting and fine polishing, engraving signs of age into the design. Learning from the nature, those local natural materials, the featured bamboo and celadon, are applied to interpreting the subtleties of the furnishings. It serves not only as a presentation of local culture but also as a collision of the classic and the modern.
Asewḥel n Usnulfu
The project is defined as a resort manor for urban residents to escape from the hustle and bustle of city life and enjoy the natural one. The designers encountered an array of difficulties and challenges in the process of project design on how to integrate the manor with the local ecology and environment while ensuring a comfortable lifestyle, and how to overcome the difficulties brought by the natural geographical barriers and rugged mountainous terrain to the implementation of the project.
Anadi
The village where the project is located has always been relatively isolated from the outside and is regarded as an "epitome" of the traditional Chinese rural society. As researches on the history and culture of the village continue, many things can be unveiled, including the utmost caring between the natives, architecture and food. The design is significant as it involves what kind of relationship between future travelers and the inhabitants will be built!
Aseḥbiber
The project lies in Suichang, a county with thousands of years of cultural connotations, where Tang Xianzu, a dramatist of the Ming Dynasty who is known as Oriental Shakespeare, wrote the world-renowned "Peony Pavilion". The village is hidden in the mountains and isolated from the world. The project aims to vitalize the village by art and culture. The designers sought inspiration from history and traditional culture and combined modern design ideas to create a natural and easeful living state.
Tanzagt n Usenfar
Project duration: from May 2018 to May 2019
Tanila n Umahil
The project site boasts the distinctive Haochuan Culture and Black Pottery Culture, and is the cradle of the Celadon Culture-one of the world's intangible cultural heritage and the world-renowned "Tang Xianzu Culture". Many stories with profound civilization, cultural strength and pedigree connections are worth exploring. Through an in-depth exploration of the local culture, the design team utilized space as the carrier, and abstracted the stories into every detail though technology and design.
Igmamen n Terbaɛt
Soft outfit: HLD Wanjing Design
Chief designer: Zhou He
Imsuren n Tugniwin
N/A

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

Sumer