On Stage Asnas n Uskan n Umuzey sɣur Skevi Farazi

On Stage Asnas n Uskan n Umuzey sɣur Skevi Farazi d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2020

On Stage Asnas n Uskan n Umuzey

sɣur Skevi Farazi

Amsaɣ: THOC & Limassol Municipality

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

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Anerbaz n Urraz Yettwasenqden

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Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef On Stage Asnas n Uskan n Umuzey

Aḍris n Tektabt: On Stage d asnas amezgi n Umuzey n Teẓrigt n Sibr (Cyprus). Asnas-agi yesnirem tiseddarin yemgaraden n teẓrigt s tarrayt tarmitant, anda tilisa gar wanag akked tilin qqnent gar-asent. Aslugen-ines yeffeɣ-d s tlata n telqayin, am tigawin n uɣanib. Amezruy d abrid yesqedcen d asizdeg n tmusni. Tafrant n Wid Yettarran Amur tessken-d ilmaten n uslaḍ ur nettwassen ara s waṭas i wid ittɛassan. Aẓrari d tigawt tanggarut i d-yesbeggnen agmuḍ. Timeɣta tanaḍent tagejdant tebḍa allen ger sin uḍfaren snegar imectaḥ.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

On Stage Asnas n Uskan n Umuzey d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. On Stage Asnas n Uskan n Umuzey ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. On Stage Asnas n Uskan n Umuzey yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
Tibzimin: theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
Tasnakta n Ufares: A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time.
Asewḥel n Usnulfu: The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested.
Anadi: An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection.
Aseḥbiber: Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays.
Tanzagt n Usenfar: 2010-2012
Limassol - Cyprus
Igmamen n Terbaɛt: Designer: Skevi Farazi
Museologist: Sofia Antoniadou
Graphic Designer: Marika Ioannou
Audiovisual: Nicoleta Kalatha
Lighting Design: Dakis Sevastides
Imsuren n Tugniwin: Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012