Meduse Taluft Tanaɣruft sɣur Ana Maria Reque

Meduse Taluft Tanaɣruft sɣur Ana Maria Reque d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.

UzzalTaẓuri Tafessast· 2021

Meduse Taluft Tanaɣruft

sɣur Ana Maria Reque

Amsaɣ: Ana Maria Reque Art

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Taẓuri Tafessast

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #104827

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Meduse Taluft Tanaɣruft

Meduse d taluft tanaɣruft yettwaseflen seg yiwenzagen n lebḥer. Yal tigat tesduklay taɣbalut n Raku d tiɣmas n uzenzu n Murano yettwasufɣen s tsuffeɣt. Taluft-a tzemer ad tettwasexdem daxel akked beṛṛa, tettarra-d effektat n tafat d ṭṭlam ɣef yiḥiḍan yellan qrib. Tanafut n LED s waṭas n yiniten tezmer ad tettwaselḍi s telkamant. Lǧetta n taɣbalut tettwaskan s ṭṭin ur nettwafak, tettwasemḥer, tettwakwi, tettwazbeg syen tettwakwi tikkelt tis snat ɣer 930 tazwara n Celsius, imiren tettwakkes seg tqidunt mazal-itt tesseḥma. Aɣelluy uḥmi i d-yeḍran yesnulfa-d udem yerẓan s taẓayt n uzref d wefyar yecban azenzu.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Meduse Taluft Tanaɣruft d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Meduse Taluft Tanaɣruft ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Global design and local identities,they are collector's pieces.
Two identities, Peru and Italy two different cultures highly integrated in the Medusa lamps, after a process of deconstruction and liberation from history for giving space to a new syncretic language.
Integration of two materials only ceramic Peru and Murano glass, harmonized thanks to the reflections of multicolored Led lighting.
Raku process during the heat shock, the flames and the oxygen reduction method at 930 degrees celsius, are decisive for both the craquelure decorative effect and metallic and iridescent reflections.
Tigejdiwin & Akemmus: Materials: Raku ceramic, Murano glass, multicolored Led RGB
Dimensions: 36 cm (diameter) 48 cm (height)
Weight: 4 kg. each one
Tibzimin: Muranoglass, madeinItaly, theveniceglassweek 2020, venicedesignweek 2016, anamariarequeart,
Tasnakta n Ufares: After the modelling with refractory clay, I begin a deconstruction process of the traditional shape, a 20 day long drying process begins. I go on with the first cooking at 950 degrees celsius, the glazing process and the second cooking into a Raku oven at 930 degrees celsius. The object is removed still white-hot from the oven. Arrangement of the Led lighting system and finally the insertion of the Murano blown glass tentacles.
Asewḥel n Usnulfu: Take the pieces out of the oven at 940 degrees celsius and quickly manage the thermal shock in three minutes.
The integration of the glass tentacles on the ceramic base.
Anadi: The goal is to create lamps that integrate Art and Design. The method is transversal by integrating two techniques ceramics with Murano glass; Through the Deconstruction of art, a process of liberation from the traditional historical form begins to give way to a new syncretic language. Two readings: Fusion of different techniques and cultures and Safeguarding the oceans, a tropicalization of the Mediterranean is occurring.The lamp has had a positive impact in Milan and in the VeniceGlassWeek 2020
Aseḥbiber: The Marine Habitat, I conceive my works as reflections of a recreated nature, the connection between nature and culture is a constant in my work. I work across different disciplines.I began a path of alienation from the Traditional shape in order to give way to a new syncretic language by the deconstruction of the art.
The work communicates two levels of interpretation:
Fusion and integration of two cultures, Peru and Italy.
Safeguarding seas and oceans: a Tropicalization of the Mediterranean sea is occurring.
Tanzagt n Usenfar: Modeled with clay: 12 days
Drying: 20 days
Blown glass processing: 7 days
Location: Lido of Venice and Murano,Italy
Tanila n Umahil: The object can be used as an Indoor and Outdoor Lamp. The lamp is suitable for creating new atmospheres with light and shadow effects on the wall. The user can interact by changing different colors using the remote control.
Ibrivan: Camara di Commercio di Venezia, Modello multiplo VE2015O000008
Igmamen n Terbaɛt: Ana Maria Reque, Glassmaker Paolo Giubelli
Photographer Gino Gabrieli
Imsuren n Tugniwin: Photocredit: Gabrieli Gino