Aristocratic Palace Aslugen n Ugensu n Wexxam sɣur James Yen

Aristocratic Palace Aslugen n Ugensu n Wexxam sɣur James Yen d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2021

Aristocratic Palace Aslugen n Ugensu n Wexxam

sɣur James Yen

Amsaɣ: WI.Design

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

8,565

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #106949

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Aristocratic Palace Aslugen n Ugensu n Wexxam

Aqsar Aristocratic d aslugen n ugensu n wexxam yettwakemmlen di Taipei, Taiwan. Axxam-a yezga ɣef wazal n 228.1 imitro imakwaren, yezmer ad d-yili ugensu, tzeqqa n tnezzeht, tzeqqa n uɛeṛṛec, tacminaɣt, taxxamt n uɣmis, tlata n texxamin n yiḍes akked snat n texxamin n tarda. Iferdisen aklasiki n Cceṛq d Ugafa ttwaddmen s tuɣac n weglim, ubeddel n tafat d telli, akked yizirig aberkanen yellan deg imukan i deg ttemlilent tzeqqiwin. Ifecka yellan deg-sen: umṛmuṛ, iferdisen n uzzal, lxedma n wesɣar, azgen amellal alugaz (blue glass), kaɣeḍ n uɛlaq yettwakerren, akked usfaylu n wesɣar arassusen. Tibbura tiwesɛiyin cebbḥent tafat tabaḥrit, sɣawlent daɣen aseqdec n tfat tarumizt.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Aristocratic Palace Aslugen n Ugensu n Wexxam d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Aristocratic Palace Aslugen n Ugensu n Wexxam ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The designer has made good use of the classic aesthetic elements of the Eastern and Western culture in the case, using the changes of grille, light and shadow to bring out the beauty of penetration and rhythm to the house. Nevertheless, the black lines, applied on each junction in the space, add the sense of
fashion to the design. In the distribution of the layout and the furnishings, manifesting the taste and temperament of the client. The flower and bird wallpaper in the living room and the main wall of the marble TV complement each other to create a gorgeous and noble image
Tigejdiwin & Akemmus: The actual size of the interior is about 228.1 square meters, and the pattern layout includes entry, living room, dining room, kitchen, study, three bedrooms and two bathrooms.
Tibzimin: Modern, Classic, Boutique fashion, Magnificence, Luxury, Micro oriental, Residential design
Tasnakta n Ufares: Marble, Iron parts, Wooden work, Blue glass, Imported wallpaper, Solid wood floor.
Asewḥel n Usnulfu: Oriental style and fashionable colors can be seen in the space, including the delicate design aesthetics. However, this is also one of the challenges of design and construction. In addition to the low budget provided by the construction company , it is necessary to manage to finish the construction in a limited period of time.
Anadi: This work combines the aesthetic factors of Eastern and Western culture, combining humanity and art in the space design, through the use of natural materials, changing in light and shadow, elegant and neat line elements, smooth pattern layout, various functional characteristics, delicately displaying the fashionable and elegant space atmosphere. The defects of the original layout of the construction company has been improved. The designer has divided the space allocation of the public and private areas through clear lines.
Aseḥbiber: The project began to integrate the classic aesthetic factors of the Eastern and the Western. Through the use of natural materials, changing in light and shadow, elegant and neat line elements, smooth pattern layout, various functional features, providing a exquisite and comfortable residential space for future residents. The whole room is characterized by the greatest elasticity so as the use of furniture and equipment.
Tanzagt n Usenfar: The project finished in January, 2019 in Taipei, Taiwan.
Tanila n Umahil: The designer has not only chosen green building materials, recyclable or compostable materials in the selection of building materials, but also equip with high-standard building materials to ensure the furniture so that the durability of the overall environment reduces the waste of resources. The designer retains the characteristics of opening windows on the large surface of the house, using window views to introduce natural light to cut down the consumption of electrical energy.
Igmamen n Terbaɛt: JAMES YEN, TING-YU CHEN
Imsuren n Tugniwin: A pixel photo