Marbled Infinity Tanaɣruft n Uqbal n Usellek sɣur Fu Mei Chiu

Marbled Infinity Tanaɣruft n Uqbal n Usellek sɣur Fu Mei Chiu d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2021

Marbled Infinity Tanaɣruft n Uqbal n Usellek

sɣur Fu Mei Chiu

Amsaɣ: Reason Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

9,347

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #108488

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Marbled Infinity Tanaɣruft n Uqbal n Usellek

Marbled Infinity d tanaɣruft n uqbal i d-yettqablen tawwurt tamenzut akked wemkan n usellek n tejmilt n uxeddim n tkebbanit n ubennu deg Taichung, Taiwan. Adaxel-ines yezmer ad d-yewwet 248 imitrat imrebbaɛen. Tabla-nniḍen i d-yettwaxedmen seg yiwet n tegzemt n uɣbir azegzaw amellal n Carrara i d-yettwabiben si beṛṛa, tetteddu d asental n wallen. Ɣef ddemma n taɛkkumt-ines, tabla-agi n uɣbir tettwasbedd uqbel ma yettwasers uɣlaf n uqaɛa, iwakken uḍfar n weɣlaf-agi n uqaɛa yettabaɛ ijeɛboren-is yerna yezzuɣur ɣer da d ɣer da. Yiwen ukersi aberkan s tenɣawt tuzzligt i d-yesmenyifen ɣef weɣbir amellal. Uḍar n wesgug n djaj yeldi adaxel-agi yetthednen ɣer wid ittɛeddin d iberdan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Marbled Infinity Tanaɣruft n Uqbal n Usellek d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Marbled Infinity Tanaɣruft n Uqbal n Usellek ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Marbled Infinity Tanaɣruft n Uqbal n Usellek yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Subtly underlining the visual focus, the unembellished white marble counter is completely integrated into the scenery. Like a glacier covered with silver and white snow, the marble counter resides with a silent tolerance. Moreover, there is a black bench with an elegant curvature, forming a perfect visual triangle with the marble counter. The juxtaposition of black and white and the contrast of light and dark inspire a unique visual appeal.
Tigejdiwin & Akemmus: Project Dimensions: 248 Square Meters.
Materials: Thin slab tiles, Natural stone (Carrara white marble), Metallic Laminate, Titanium plated metal
Tibzimin: Marble, white marble counter, diamond-patterned steel structure, reception center, sales center, boundless, boundless
Tasnakta n Ufares: The counter marble was imported in one piece. Due to its weight, contractors positioned it before flooring construction. The floor material is laid along the edge of the counter and is spread outward to blend in with the landscape. The stability of the marble forms a natural scenery in the space.
Asewḥel n Usnulfu: Due to the weight of the whole size counter marble, contractors positioned it before flooring construction. The floor material is laid along the edge of the counter to spread outward to blend in with the landscape. The presence of the marble forms a natural scenery in the space. A stainless-steel mirror covers the surface of the pedestal, rotating when the night falls, along with the building models sitting on it.
Anadi: This project is a lobby for a construction company headquarters and a reception of the Sales Center. When passing by, pedestrians can easily feel the unique beauty of tranquility through the glass. The glass facade stretches the boundless view, creating visual surprises through the bidirectional perspective. A minimalism emerges from the pure arrangement contrasting with the darkness of the black door frame and the black, diamond-patterned steel structure of the window.
Aseḥbiber: The designer explores the essence of this design project, responds to the environmental characters of the site, emphasizes the integrity of structure and form, and aesthetics, and pursues the texture of materials and decorations. Breaking the spatial boundary, the horizon permeates the tranquility in all directions. As if walking into a silver-white snowfield, a new realm of time and space is introduced. The consistent marble design boasts an invisible boundary that broadens the visual space with boundless possibilities.
Tanzagt n Usenfar: The project finished in June 2019 in Taichung, Taiwan.
Tanila n Umahil: The focus of this design is to achieve a consistency of space and to maximize the value of contextual art. An extended perception is achieved by the essence of space.
Ibrivan: Copyrights belong to FU MEI CHIU, 2019.
Igmamen n Terbaɛt: Fu Mei Fiona Chiu
Imsuren n Tugniwin: 1. Image #1: Photographer, Ar Her Kuo, 2019.
2. Image #2: Photographer, Ar Her Kuo, 2019.
3. Image #3: Photographer, Ar Her Kuo, 2019.
4. Image #4: Photographer, Ar Her Kuo, 2019.
5. Image #5: Photographer, Ar Her Kuo, 2019.
Video Credit: Ar Her Kuo, 2019.
Video Credits: Photographer, Ar Her Kuo, 2019.