Ɛeddi ɣer ugbur
Dignity Tafuṭugrafi sɣur Satoru Nakahara

Dignity Tafuṭugrafi sɣur Satoru Nakahara d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Tewlaft d Usenfel n Tewlafin.


UzzalTawlaft· 2021

Dignity Tafuṭugrafi

sɣur Satoru Nakahara

Amsaɣ: Satoru Nakahara

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tawlaft

20,476

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #115115

Initen

Afeṣṣel

Ɣef Dignity Tafuṭugrafi

Yesleɣ "Lqima" s tefuṭugrafi. Tisegnatin-agi d tayda d lberquq yellan di meṛṛa Japun yerna iddren ugar n 100 n iseggasen. Ttwasemlayen deg "Sumi-e" akked tedabut s lmedad, tadabut n ugdil yettwazeglen seg zik-nni. Sakin akken yessuffeɣ-d tiṛuḍimin, yebeddel tamhazt n tafat yerna yesseɣres-itent deg umrabbeɛ amellal. Seg tmahilin-is, win iẓran yezmer ad yexyal-d aḍris yeḥulfan yerna ad yeḥsu-t am "Lqima". Ihi nezmer ad d-nini d akken taneḍrut-is n usileɣ tebɣa ad tekkes tilisa gar Tedabut d Tefuṭugrafi.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Dignity Tafuṭugrafi d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Dignity Tafuṭugrafi ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
This project is to design a "Dignity" by photography. The subjects are trees that are trying to live and survive everywhere unnoticed by anyone in the city now. They have not said anything and made their appearance for a long time. So this project tried to design by photography for expressing these natural appearance in the white square framework as the most beautiful composition.
Tigejdiwin & Akemmus
These photographs were taken with fine mode and size are 6016×4016 by Nikon Z5. And all are digitized and JPG files. These original sizes are from 6 to 12 Mega-bytes. For this project, these were changed to the square framework and black and white. These were changed by using Adobe photoshop.
Tibzimin
Photography, Nature Photo, Black and white, Pine tree, Japanese Nature
Tasnakta n Ufares
These photographs were taken by Nikon's digital camera. These were considered the most beautiful position and form inside the square framework. And in the home studio, these photos have changed the exposure by using photoshop to be shaped more lively and most beautiful appearance.
Asewḥel n Usnulfu
The most difficult is to find objects in the city and to compose the best position to get the empty white background. To delete eliminate waste and discomfort, its appearance stands out more. This makes it possible to express of photography the abstract concepts of "Yugen" and "looseness" in traditional Japanese art culture. This is challenging for new design's possibilities to fuse with Art and photography, the Western and Eastern concept.
Anadi
This project has the background of ink paintings and "Sumi-e," folding screen painting. That objects are natural things that show the beauty in the four seasons, such as pine, bamboo, plum, flowers in the mountains and river. This project tried to express these forms by black and white photography as the most beautiful appearance in the square.
Aseḥbiber
This project's idea came up suddenly at one time in the city. It is the moment when appears the beautiful appearance in the trees and plants. These were the existence casually that seen everywhere but have not been noticed. It is meaningful for design to clarify the beautiful appearance of life that has been created over a long period. In addition that this project concept is from ink paintings and "Sumi-e," folding screen painting in Japanese and Chinese art and culture.
Tanzagt n Usenfar
This project started in May 2020 in Numazu, Japan, and finished in February 2021.
Tanila n Umahil
This project by photography was being able to create a beautiful appearance from the trees that usually and casually were seen. In these photos to create a more beautiful appearance, it selected the black and white photography and square framework.
Ibrivan
Copyrights belong to Satoru Nakahara, 2020_2021
Imsuren n Tugniwin
Image #1:Photographer Satoru Nakahra,2020,Numazu.
Optional Image #1:Photographer Satoru Nakahra,2020,Numazu. Optional Image #2:Photographer Satoru Nakahra,2020,Numazu. Optional Image #3:Photographer Satoru Nakahra,2021,Shimizu.
Optional Image #4:Photographer Satoru Nakahra,2021,Numazu.

Yettwaxellṣen

Snirem Seld Designers.org

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Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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