Jiangcheng Art Asuneɣ n Daxel n Wammas n Uznuzu sɣur Weimo Feng

Jiangcheng Art Asuneɣ n Daxel n Wammas n Uznuzu sɣur Weimo Feng d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

DdhebAgensu· 2021

Jiangcheng Art Asuneɣ n Daxel n Wammas n Uznuzu

sɣur Weimo Feng

Amsaɣ: Mod

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Agensu

24,247

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #120801

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Jiangcheng Art Asuneɣ n Daxel n Wammas n Uznuzu

Jiangcheng Art d asuneɣ n daxel n wammas n uznuzu di Chongqing, di Ccinwa, yeṭṭfen 7000 n lmitrat imkuẓen. Asuneɣ yeḍfer talɣa n tdurar s tsemsal n temdint n idurar, anda isaffen d isawnen ttaken udem yettbanen ur yemsezg ara maca yeqqim d aseddi. Tisemsal tigamanin i d-yefkan tikti n usenger ameqqran, i yezdin iswiren n wadeg. Ger yiferdisen yettwasqedcen: azzal ur nṣeddi s lemri, aẓru n usimun, talɣiwin n aluminyum, aẓru yettwafernen d ukusu adamsan-agaman. Tafat tettεedday deg daxel s tezmert yettbeddilen, tessnulfuy-d anẓad d telqey.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Jiangcheng Art Asuneɣ n Daxel n Wammas n Uznuzu d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Jiangcheng Art Asuneɣ n Daxel n Wammas n Uznuzu ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The state of Chongqing is to grow slowly, this subtle "restraint" creates an oriental mood that carries a more trans-border, balanced, universal experience. Surrounded by the two rivers, the undulating topography creates a seemingly disorderly, actually orderly; seemingly messy, actually rhythmic style, the project continues the landscape urban pattern, landscape artistic conception, the concept into design elements.
Tigejdiwin & Akemmus: Design area: 7000 square meters
Tibzimin: Heavy Mountain - Lobby, Cloud - Observation Deck, Water - Restaurant, Sunny Forest - Pool
Tasnakta n Ufares: Mirror stainless steel, cement stone, aluminum alloy profile, skeletonized stone, manu art, eco-foam
Asewḥel n Usnulfu: The overall space is based on the three-dimensional beauty of the mountain city as the main concept, and the unique characteristics of the region are used to search for humanities, ideas and even those spiritual attributes that are hidden or disappearing.
Anadi: Through the concept of "micro-city", we extract the natural and urban elements, the natural growth design method, and integrate the natural and urban life fragments to extend different functional spaces, we divide the space into two main themes - nature and humanities - along the growth direction of the mother skin, shaping the space through natural terrain, and enhancing the feeling of space with cultural atmosphere.
Aseḥbiber: The mountain is the city, the city is the mountain, the city is built in the mountain, the water is worn in the city. Chongqing has a more wrinkled, three-dimensional, and sunken sense than other cities, and its landscape has condensed its style and spirit. Surrounded by two rivers, the undulating terrain creates a seemingly disorderly, but actually orderly, seemingly chaotic, but actually rhythmic landscape.
Tanzagt n Usenfar: The project started in November 2018 in Chongqing and finished in September 2020 in Chongqing.
Tanila n Umahil: The overall space takes the three-dimensional beauty of the mountain city as the main concept, and introduces the natural terraces into the design of the Grand Staircase to enrich the characteristics of the region. The presence of light makes the space be perceived, it travels through the space in different states, and its intensity changes create different rhythms, rhythms and levels in the space, creating a different artistic sensation.
Imsuren n Tugniwin: Photographer:Boris Shiu