Yunlu Aslway n Uɣerbaz n Usnirem n Uxxam n Uzenzi sɣur Minghua Zhang

Yunlu Aslway n Uɣerbaz n Usnirem n Uxxam n Uzenzi sɣur Minghua Zhang d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2021

Yunlu Aslway n Uɣerbaz n Usnirem n Uxxam n Uzenzi

sɣur Minghua Zhang

Amsaɣ: Gold Mantis

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

9,472

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #121473

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Yunlu Aslway n Uɣerbaz n Usnirem n Uxxam n Uzenzi

Yunlu d axxam n uzenzi yellan di Chengde, Ccinwa, yesɛa 1500 n lmitrat imrebbaɛ. Asnirem n uxxam yebda seg wemkan alemmas n Igenna, yerna yessken tafeggagt tarusant n usnirem n Legrib. Asɣenfu-ines yesdukkel tarrayt n tebḥirin n Usammer akked tuqqna tuzrift n Ugafa. Tawaɣit tettwaḥader deg yal talɣa timeẓẓyant, iwakken amkan ad yeqqim yemsedday d ṭṭbiɛa. Ivarraɣen ineggura ttɛamaren s wedɣaɣ ussnan, tuzunt n truẓi, tafilm s wudem n ttejra, tarruẓt n tṛuẓi tawurant, uzzal ur nreqqu ara akked lqecc n uɣrab. Askar-agi yebɣa ad d-yerr amkan yesbeggnen talwit, yettwasugten seg tugna n tmurt.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Yunlu Aslway n Uɣerbaz n Usnirem n Uxxam n Uzenzi d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Yunlu Aslway n Uɣerbaz n Usnirem n Uxxam n Uzenzi ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Yunlu Aslway n Uɣerbaz n Usnirem n Uxxam n Uzenzi yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: In this city full of poetic flavor, the designer looks up everything here with heart, advocates the design expression under the unique context of the poetic East and proposes that interior design shall copy every stone in the city by starting from the concepts of architecture and landscape, construct the spatial awareness with delicate strokes, return to the nature in this noisy age and make people reluctant to leave.
Tigejdiwin & Akemmus: The project covers a total of 1500 square meters.
Tibzimin: Interior, Commercial, Sales Center, Modern, Simple, Natural, Art, Chengde
Tasnakta n Ufares: The main materials in this project are artificial stone, floor tile, 3M wood grain film, solid wood floor, stainless steel, wall cloth.
Asewḥel n Usnulfu: Learn from nature and extract the essence of culture. Let the ripples of water flow on a table and a few, let the ancient silver flagon think of the free and easy of the poet, let the instrumental music like the rhythm of the wind and shadow sway in the clouds and flow... or the emotional expression of hidden or exposed, in the space Play the finishing touch.
Anadi: Oriental landscape painting is a model of oriental aesthetics. The world view of the unity of nature and man contained therein enlightens and reflects the wisdom of life and aesthetic ideals of the Chinese people. The spatial awareness of "viewing the big and small" is to paint the overall rhythm and harmony of nature, forming a vivid and rhythmic artistic picture.
Aseḥbiber: This case is located in Chengde, and uses the Mountain Resort as the starting point to express modern oriental aesthetics. Taking the origin of the natural landscape and the scenery of the south of the river and the north of the river, it not only has the style of southern gardens, but also follows the exquisite techniques of northern architecture, becoming a model of the perfect combination of north-south garden art.
Tanzagt n Usenfar: The project started in March 2020 in Chengde and finished in August 2020 in Chengde.
Tanila n Umahil: The "form and meaning" in the oriental landscape paintings are similar to the aesthetic standards of space design. In addition to the form of objects, they pay more attention to expressing the inner charm and interest. In the grand formal ritual prefaces of traditional oriental architecture, attention is paid to the scale control of every detail, in symbiosis with nature.
Ibrivan: Copyrights belong to Gold Mantis, 2020.
Igmamen n Terbaɛt: Minghua Zhang
Qihai Peng
Imsuren n Tugniwin: Image #1: Photographer Gold Mantis, Yunlu Sales Center, 2020.
Image #2: Photographer Gold Mantis, Yunlu Sales Center, 2020.
Image #3: Photographer Gold Mantis, Yunlu Sales Center, 2020.
Image #4: Photographer Gold Mantis, Yunlu Sales Center, 2020.
Image #5: Photographer Gold Mantis, Yunlu Sales Center, 2020.