Kallucci Boot Taẓuri 3D Tagejdant sɣur Mateus Morgan de Aguiar d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ Aselkiman, Asnulfu 3D, Aɣummu d Usiẓreg.
DdhebUnuɣ Aselkiman· 2021
Kallucci Boot Taẓuri 3D Tagejdant
Amsaɣ: Morgan Studio
Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Unuɣ Aselkiman
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #121488Afeṣṣel
Ɣef Kallucci Boot Taẓuri 3D Tagejdant
Tikti tagejdant n umeskar tella d asekcem, s iferdisen ifessasen am iẓuran, n udem n teǧehdi d tumert i yesran ufaris, s uwehhi srid ɣer useqdec-is d tudert n yimeɣtiyen. Ikristalen i d-yettwarnan ttmuddun-d tafat i tfekka tagejdant, ttakkent-as tagnit tafelsusant ara d-yesnehsi aɛeǧǧeb n yimeɣtiyen izemren.
Asmekti
Ɣef Tarbaḥt A' Design Award n Ddheb
Kallucci Boot Taẓuri 3D Tagejdant d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Kallucci Boot Taẓuri 3D Tagejdant ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The idea is to bring the characteristics of the product through the use of visual elements, connecting the shoe direct to the customers life style. The mood also transmits durability, present on the shoe essence and a pinch of a mystical language that comes with the crystal elements. Everything made in 3D without scans
- Tigejdiwin & Akemmus
- Width 5000px x Height 5000px 300dpi
- Tibzimin
- boot, shoe, cgi, footwear, fashion, 3d boot, cgi boot, kallucci
- Tasnakta n Ufares
- The boot was modeled using photographs as a reference and hard surface 3D modeling techniques. For modeling we used the software 3ds Max. All the textures made using leather texture and some photoshop brushes. Vray was used for rendering. Nothing on the scene was scanned or photoscaned.
- Asewḥel n Usnulfu
- The hardest part was making the 3D model itself, considering that there's a lot of parts that had to be perfectly as the real product.
- Anadi
- The work was executed based mainly on the previous experiences in other works for several companies of the sector footwear, in very natural way. Feedback was collected mainly online about the quality of the 3D itself as well as the sensations that people had in the first contact with the art.
- Aseḥbiber
- The comes from the nature, connecting the image directly with the customers life style. The rocks refer to the durability of the product.
- Tanzagt n Usenfar
- I started the piece on november 21 and it took about 1 month, ending on december 21.
- Tanila n Umahil
- The key visual was used on online and offline media such product folder, box, and video. The main focus was to attract attention to the product, bringing in the composition elements that generate the necessary sensations without the need for explanatory texts. Competitors often use images without a strong visual appeal, so the product, especially in the online market, goes unnoticed. The excess of texts works negatively in most of these cases, underestimating the viewer's intellect.
- Igmamen n Terbaɛt
- 3D modelling and texturing: Mateus Morgan
Agency: Dote
Yettwaxellṣen
Snirem Seld Designers.org
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