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Linear Compositions Taḥanut n tmaɣliwin sɣur Natalia Klisko-Walczak

Linear Compositions Taḥanut n tmaɣliwin sɣur Natalia Klisko-Walczak d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


UzzalAgensu· 2022

Linear Compositions Taḥanut n tmaɣliwin

sɣur Natalia Klisko-Walczak

Amsaɣ: Natalia Kliśko-Walczak

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

9,493

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #126348

Initen

Afeṣṣel

Ɣef Linear Compositions Taḥanut n tmaɣliwin

Azenzi n teḥanut n tmaɣliwin s uswir nnig n teḥanutin-nniḍen n umseɣnes. Tikti tafransist tebna ɣef usuddes usrig. Tiflawin tisliganin i ssektarant iferdisen ibedden ḥekkment. Tallunt yebnan s timgelsa: initen, tismalin d telɣiwin. Askan, aḥraz, adeg n tumɣawsa n yimsaɣen d wadeg n zzenz ttwaččuren. Agensu war tibḍiyin tigensiyin isemɣer tallunt s tiṭ. Talɣa tamecṭuḥt di tlemmast, telɣiwin tiɣezfanin ɣer igebran. Ajzu d-yefka tameɣrit i tallunt yettwaznan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Linear Compositions Taḥanut n tmaɣliwin d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Linear Compositions Taḥanut n tmaɣliwin ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The artistic concept assumes building space with a line. Composition, contrast, proportion and detail are important. New interior arrangement. The display forms are located at the walls and consist of illuminated shelves at eye level and below the storage systems. The center has a multifunctional form: a place for customer consultation, a sales section, an exhibition and storage.
Tigejdiwin & Akemmus
57m2, 9,4x4,8x3,5 m
Tibzimin
Linear interior, composition, rhythm, optical salon, exhibition, nkw, Natalia Kliśko-Walczak
Tasnakta n Ufares
The display elements are made of a white semi-matt laminated board and a natural veneer board in the color of Antique Oak. The floor is covered with a vinyl flooring for public utility buildings with medium and high traffic intensity.
Asewḥel n Usnulfu
A small space and at the same time prestigious. An interior designer was hired to design an optical design of a higher standard than the investor's existing stores. It was important that about 500 glasses frames were displayed inside.
Anadi
Research topic: Interior perceived as beautiful.
Purpose of the research: To define what influences the perception of the interior as interesting for the human eye.
Research method: analysis on selected examples.
The conclusions allowed to state that factors such as: rhythm, contrast, structure, proportion, detail influence the reception of an interior as beautiful.
Aseḥbiber
The human eye likes contrast, contrast of colors, textures and forms. The organ of vision determines whether something is beautiful or not. He notices rhythm, dominant, light and shadow. The interior is built with a composition: linear, central, horizontal, vertical, rhythmic. What is important is the contrast between solid and light forms, a combination of contrasting colors, a smooth surface and the structure of the wood. The product is presented "in the light" of the horizontal.
Tanzagt n Usenfar
December 2020 - February 2021
Tanila n Umahil
Human, senses, product. The interior as a whole. Customer and service zones intersect. The interior is perceived by the sense of sight, as is the product for sale that improves eyesight.
Imsuren n Tugniwin
Foto 1/2/3/4/5 Natalia Kliśko-Walczak

Yettwaxellṣen

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