Centennial Shameen Aslugen n Wallag n Wemkan Adelsan sɣur Way Architects

Centennial Shameen Aslugen n Wallag n Wemkan Adelsan sɣur Way Architects d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2022

Centennial Shameen Aslugen n Wallag n Wemkan Adelsan

sɣur Way Architects

Amsaɣ: WAY Architects

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

9,619

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #126989

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Centennial Shameen Aslugen n Wallag n Wemkan Adelsan

Centennial Shameen d amkan adelsan i d-yettwaxelqen deg umnager n uzeka yellan deg Tegzirt n Shamian, di Guangzhou, Ccinwa. Amnager-a yekfa deg 1862, uqemmu-ines yeṭṭfen tawla-ines tasemsart tamezwarut, tiwzanin tiseddasin n tewwura d ttiqan, akked izirig n wesskan i d-yeṭṭfen ṭṭbea-nsen tarbaḥt. Deg daxel n texxamt n 260 lmitrat imrebbaɛ, s tuɣalin n asqif ar 4.55 lmitrat, asɣan n uzzal yerna-d aḍar amtawi s tbenyan tusrart iman-is. Amkan-agi yesɛa lameɛras n tẓuri akked wexxam n latay i temɣiwant. Ismal ijdiden akked tafat tajdit ttmagayen s wudem uran d ubaz aqbur n twaturin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Centennial Shameen Aslugen n Wallag n Wemkan Adelsan d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Centennial Shameen Aslugen n Wallag n Wemkan Adelsan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Located at No.41 Shamian Street on the central axis of Shamian Island, the project was built in 1862 with a history of 159 years. Adhering to the concept of protecting and reusing the historical buildings, this project transforms it into a multifunctional composite cultural space that can accommodate different scenes, for example, cultural art exhibition, and tea house for the community.
Tigejdiwin & Akemmus: Taking advantage of the 4.55 meter's high ceiling height in the 260 square-meters room, a steel interlayer is inserted to add different layers. It added a mezzanine space with an independent frame structure locally to make full use of the existing space to create more possibilities.
Tibzimin: Architecture, renovation, culture, building, public space
Tasnakta n Ufares: The exterior of the building retains its original style: within the symmetrical form, precise proportions of doors and windows, and rich moldings lines. By now, stepping into the gate of Ceremonial sense will absolutely open up a new spatial experience.
Asewḥel n Usnulfu: Using a section of space as a transition for the entrance, outstanding from the old sense of form; on top of the uses of spacial transition at the entrance, it added new material and design techniques to emphasize the difference, and thus collision between the old and the new style has begun.
Anadi: Awakening the long-term dormant state of this historical building, it has become an open public space integrated into the urban context and reconnecting the community. The language of the space is concise and lively, and the space still playing the pure beauty of decoration.
Aseḥbiber: Inspired by the local context, the texture of the sandy floor contrasts with the black stone. The horizontal of the three kinds of grain on the stones interspersed with the white volume, which implies the historical meaning of Shamian which washed by the water of the time immemorial Pearl River.
Tanzagt n Usenfar: The project started in May 2020 and finished in January 2021 in Shameen Island, Guangzhou, China.
Tanila n Umahil: New materials, new forms of design, and the newest lighting techniques are added to the classical space, interactive with the old pillar system; new things do not adhere to the old structure, and the relationship between the new and the old is clear.
Igmamen n Terbaɛt: Design Director: Keven Wong
Design Director: Fanmie
Lead Designer: Chow Hou Hong