Haimen Agricultural Tazeqqa n uskan sɣur Gad

Haimen Agricultural Tazeqqa n uskan sɣur Gad d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LfeṭṭaTansekta· 2022

Haimen Agricultural Tazeqqa n uskan

sɣur Gad

Amsaɣ: Gad

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tansekta

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #130016

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Haimen Agricultural Tazeqqa n uskan

Haimen Agricultural d tazeqqa n uskan i yiɛqqayen d yidles n tkerza deg Nantong, Ṣṣin. Talɣa teddem-d seg wekufi aqbur, s wemḍan n beṛṛa amrbeɛ akked usilu alemmas awrecuc. Aglim n beṛṛa yettwaxdem s ubeṭun n twuri tafellayt aṭas, i d-ixeddmen amgarad n uwali akked ugdil n ujajiḥ n tzeǧǧigt. Tisunḍa yeddun i yeldin ttcaraken kuẓ n yiḍisan zzi yiwet n twennaḍt talemmast, ma d tafella tettwaǧǧiwed i d-yettawin tafat n wass ɣer uḍris ufellay. Lebni yettdum 4000 n lemitrat karriyen yeεɛ yeznuzu amkan i uskan d ubeddel.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Haimen Agricultural Tazeqqa n uskan d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Haimen Agricultural Tazeqqa n uskan ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The building maximizes the footprint of the barn and excavates a blowing space in the center. The circular silo is introduced with natural lighting and ventilation. As a seed Museum, it provides a place to display and communicate; The rotating open stairs connect the various functions in the vertical direction of the building. The visitors step up , just like stepping on a seed journey, and their desire for viewing and exploration is constantly stimulated.
Tigejdiwin & Akemmus: The exhibition hall covers a construction area of 4000 square meters and is divided into four floors.The scheme breaks the conventional concept of "layer" in structure: 4 concrete square boxes circling around the atrium hide the main stress components in the rotating space; The roof folded plate forms a large area of windows on the top floor, realizing the purity of architectural form and space. Traditional regional context and modern lifestyle meet here.
Tibzimin: Barn, Countryside, Nostalgia, Exhibition, Context, Poetic Dwelling
Tasnakta n Ufares: The outer skin is made of UHPC material. This material with low porosity is as warm as jade, which can highlight the shape and lines of the building itself. From a distance, it has sharp edges and corners, and from a close look, it is soft and hazy. The faint sense of permeability blurs the boundary between the building and the environment. It forms a visual contrast with the glass curtain wall, which vividly explains the relationship between enclosure and connection, closure and permeability.
Asewḥel n Usnulfu: In today's traditional cultural Renaissance, the design team uphold the dialectical and critical attitude. Ineither to the nostalgia of special regionalism of restoring ancient ways, nor under the globalization trend blindly follow internationalism, they build a poetic residence among the pastoral roads and recovered the wisdom gene in the heritage of Chinese Wu and Yue culture, so as to store culture, place emotions and condense values, Complete critical regionalism practice.
Anadi: Haimen is the hinterland of Chinese Wu Yue culture and the hometown of Chinese rice culture. China has a long agricultural civilization which is the first form of civilization in human history and determines the characteristics of Chinese culture.The design concept of "the sky is round and the earth is square" is reflected in ancient Chinese architecture which symbolize the ideas of "external Confucianism and internal law" in politics and " flexible outwardly and strict inwardly" in life.
Aseḥbiber: The motif of the agricultural exhibition hall is taken from the barn of Chinese agricultural civilization. Its appearance is like a square box , the internal core is a circular silo, which means "square barn and round granary". It not only implies the legalist concept of "When the granaries are full, people follow appropriate rules of conduct, and when there is enough to eat and wear, people know honor and shame", but also conforms to the construction of spiritual civilization in the new era.
Tanzagt n Usenfar: The project started in October 2020 in Nantong, China and finished in April 2021.
Tanila n Umahil: The mortise and tenon structure of the silo dispels the divinity of the space with the color and touch of old wood, making the barn warm and amiable. The two sets of indoor and outdoor stairs form a parallel viewing moving line, overlooking the pastoral scenery, surrounding buildings and internal activities of the agricultural exhibition hall. Visitors can directly enter the town demonstration area and agricultural exhibition area from the west exit of the exhibition hall.
Ibrivan: Copyrights belong to gad, 2021.
Igmamen n Terbaɛt: Wei Zhang
Fengqi Tang
Jie Xu
Zehui Ni
Yangyu Liu
Yuan Liu
Zhengjie Jiang
Jianzhou Chu
Shilong Liu
Fan Yang
Cheng liu
Weihao Mu
Yunlong Jiang
Chen Chi
Yantao Zhao
Imsuren n Tugniwin: Image #1:Photographer YAOLI STUDIO, Architecture and environment ,2021
Image #2:Photographer YAOLI STUDIO,Aerial view,2021
Image #3:Photographer YAOLI STUDIO,Facade effect ,2021
Image #4:Photographer YAOLI STUDIO,Detail material,2021
Image #5:Photographer YAOLI STUDIO,Internal barn,2021