Fujifilm Clay Studio2 Aneflus n Ugensu n Ukaram sɣur Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Aneflus n Ugensu n Ukaram sɣur Koji Aoki, Lin Su and Atsushi Fujita d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2022

Fujifilm Clay Studio2 Aneflus n Ugensu n Ukaram

sɣur Koji Aoki, Lin Su and Atsushi Fujita

Amsaɣ: Fujifilm Corporation

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

10,594

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #131321

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Fujifilm Clay Studio2 Aneflus n Ugensu n Ukaram

Clay Studio 2 d agensu n ukaram i yettwaxedmen i wurar n usnulfu n ufaris akked usnulfu n uwlagh di Tokyo. Tallunt n 300 lmitr amrabaɛ tettwaxeddem am wemḍiq n talwit i uqellec n lfahma, ɣer tama n ukaram anda ara yili ubadu ɣef temyigawin gar imdanen kan. Beṭṭun (concrete), asigel akked wesɣar n cimenṭu ttwaǧǧan war ma ttwaḥeḍren, ihi tallunt tban am akken tettwaxedmen s wallaɣen akked isɣaren kan. Aẓrag n ufeṛṛas akked yiswa n tnaṣlit i d-yellan d ugilal, sɛun-t azal deg-s ubeddel n yiseggasen s ufran deg tallunt. Tiraɣdiwin qablent-t ɣer beṛṛa, ma d tabla n sebɛa metrat tettarra amkan i temlilit tawezlant s wesyili gar imdanen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Fujifilm Clay Studio2 Aneflus n Ugensu n Ukaram d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Fujifilm Clay Studio2 Aneflus n Ugensu n Ukaram ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Fujifilm Clay Studio2 Aneflus n Ugensu n Ukaram yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Tigejdiwin & Akemmus: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tibzimin: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Tasnakta n Ufares: concrete, painting, wood cement board
Asewḥel n Usnulfu: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Anadi: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Aseḥbiber: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Tanzagt n Usenfar: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Tanila n Umahil: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Igmamen n Terbaɛt: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita