Ɛeddi ɣer ugbur
Esfahan Takanna n imezdagen sɣur Mohammad Rahimizadeh and Shaqayeq Nemati

Esfahan Takanna n imezdagen sɣur Mohammad Rahimizadeh and Shaqayeq Nemati d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.


LbrunzTansekta· 2022

Esfahan Takanna n imezdagen

sɣur Mohammad Rahimizadeh and Shaqayeq Nemati

Amsaɣ: Kalbod Studio

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

21,690

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #137566

Initen

Afeṣṣel

Ɣef Esfahan Takanna n imezdagen

Isfahan d takanna n imezdagen i yettwaslen i wemnaḍ deg Isfahan, Iran. Takanna-agi tqerrib gar yiwen wammas n ttjara n tetiknulujit d yiwen ufran n usebyan. Tettxeddem daɣen i tesdawiyin, tiseddawit n usnadar akked tsertit-yagi izzin-as. Ahilat n uskan, tiswiqin tanaggarut d wudmawen n usteɛfu ttwasɣnwen sdaxel ubrid, ayen i itturaren tarrayt n takanna am wemḍiq azayez. Talɣa-yis tettuɣal ɣer tkunnaḍin taqburin n Isfahan, ibeddun-d s tkanna n Khajoo. Yettwasqedec usimeɛni asemgirti, akken addad-nni akked wugur-is deg wasif ad d-sɣernen yiwet n tewsit taggugant. Idɣaɣen n daxel ttɣimin ttwakalen s telqey, zemren ad qeblen tiseddasin yemxalafen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Esfahan Takanna n imezdagen d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Esfahan Takanna n imezdagen ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Esfahan Takanna n imezdagen yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Tigejdiwin & Akemmus
1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Tibzimin
Technology , bridge , Exhibition , Recreational , tourism , iran
Tasnakta n Ufares
In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Asewḥel n Usnulfu
In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Anadi
Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Aseḥbiber
In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Tanzagt n Usenfar
esfahan - iran
Tanila n Umahil
According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Igmamen n Terbaɛt
Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -

Yettwaxellṣen

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