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The Land of Rocks Tazeqqa n Uskan sɣur Weixian He and Baoyang Wei

The Land of Rocks Tazeqqa n Uskan sɣur Weixian He and Baoyang Wei d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Tansekta n Uskan Azenzal, Igensawen d Uskan.


LfeṭṭaAskan Azenzal· 2023

The Land of Rocks Tazeqqa n Uskan

sɣur Weixian He and Baoyang Wei

Amsaɣ: Wise Space Aesthetics

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Askan Azenzal

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Anerbaz n Urraz Yettwasenqden

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Initen

Afeṣṣel

Ɣef The Land of Rocks Tazeqqa n Uskan

Akal n Yeẓra d tallunt n uskan tameskilt i d-yettwaxedmen i yiwet n tmarka n uẓru asenṭeḍ deg Dduṛt n Ufeṣṣel n Guangzhou deg 2020. Tazeqqa-agi tettawi 180 n lmitrat imkuẓen. Aseggem-is, azgen yemdel azgen yeldi, yettawi inerza deg webrid yemgaraden, ma d tiflewt yettwagezmen deg leḥyuḍ yettwaseggmen ttaǧǧant udmawen n uẓru ad ttwalin seg beṛṛa akked seg daxel. Yiwet n lebni yennḍen isem-is Ajeǧǧig n Uẓru ibedd di tlemmast n usayes. Afeṣṣel-agi yessken-d assaɣ yellan gar uẓru asenṭeḍ, tanezduɣt akked temdint, yerna yerra-t d ayen isehlen i tirmit.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

The Land of Rocks Tazeqqa n Uskan d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. The Land of Rocks Tazeqqa n Uskan ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
"Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Tigejdiwin & Akemmus
180sqm
Tibzimin
Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Tasnakta n Ufares
Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Asewḥel n Usnulfu
The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
Anadi
From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Aseḥbiber
What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Tanzagt n Usenfar
The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Tanila n Umahil
To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Igmamen n Terbaɛt
Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Imsuren n Tugniwin
Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu

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